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3 items
journal article
Lieber, Emma
Book Review Essay: Psychoanalysis and Culture, Then and Now: A Review of “Freud and Psychoanalysis: Six Introductory Lectures” by John Forrester and “Self Study: Notes on the Schizoid Condition” by David Kishik
‘[T]he very project of theorizing the self is inherently self-displacing as much as (or rather than) self-centering: the implicit claim of authotheory is that one can best articulate oneself precisely by way of a circuit out, both toward other writers and toward some Other that is denoted Theory. One question raised immediately in this book, then—which employs the desirous, intensely related autotheoretical mode to document states of isolation—is whether the form matches the content, or the claim; that is, whether the writing is best understood as a manifestation of the schizoid condition, or its cure. ’
2024
journal article
Claudia Jacobi
Claude Lefort, Dante’s Modernity: An Introduction to the Monarchia, translated from the French by Jennifer Rushworth. With an Essay by Judith Revel. Edited by Christiane Frey/Manuele Gragnolati/Christoph F. E. Holzhey/Arnd Wedemeyer, Berlin, ICI Berlin Press 2020, 114 S.
Claudia Jacobi, ‘Claude Lefort, Dante’s Modernity: An Introduction to the Monarchia, translated from the French by Jennifer Rushworth. With an Essay by Judith Revel. Edited by Christiane Frey/Manuele Gragnolati/Christoph F. E. Holzhey/Arnd Wedemeyer, Berlin, ICI Berlin Press 2020, 114 S’.,
Deutsches Dante-Jahrbuch
, 96.1 (2021)
2021
journal article
Manuele Gragnolati and Christoph F. E. Holzhey
Active Passivity?: Spinoza in Pasolini’s
Porcile
Pier Paolo Pasolini’s Porcile (Pigsty) was shown at the Venice Film Festival in 1969 and was harshly criticized for its scandalous and desecrating character. It is indeed a provocative and bleak film, which offers a scathing political critique of ongoing fascism but without seeming to allow for any space for intervention or change. With Porcile, Pasolini continues to distance himself from Marxist engagement and revolutionary politics, and while he characterizes its politics in terms of an ‘apocalyptic anarchy’ that can only be approached with distance and humour, our suggestion is that Porcile proposes abandoning (political) activity and hope for a better future as a paradoxical form of both radical political critique and joy.
2015. Pasolini, Piero Paolo; active passivity; Porcile (film); Spinoza, Baruch