Lecture in occasion of the publication of two new ICI books on Dante: Dante’s Plurilingualism: Authority, Vulgarization, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati, Jürgen Trabant (Oxford: Legenda, 2010) and Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, ed. by Manuele Gragnolati, Fabio Camilletti, Fabian Lampart (Wien/Berlin: Turia + Kant, 2011).Jürgen Trabant is Professor for European Plurilingualism at Jacobs University Bremen, and Professor emeritus of Romance Linguistics at the Freie Universität Berlin. He taught at the Universities of Tübingen, Bari, Rome, Hamburg, Berlin, and was a Visiting Professor at Stanford University (1988/89, 1991), Leipzig (1992), University of California Davis (1997), EHESS Paris (1998, 2003), Limoges (2003), Naples (2005, 2007, 2010), and Bologna (2008). He is Member of the Berlin-Brandenburg Academy of Sciences and Humanities (1992), Chairman of the Humanities Division of the Berlin-Brandenburg Academy of Sciences and Humanities (1998-2003), Officier de l’ordre national du mérite (1998), and Chevalier dans l’ordre des Arts et des Lettres (2004). He has been working on the French and Italian linguistics, semiotics, History of European linguistic thought, philosophy of language, historical anthropology, and language politics.Programme:
Welcome: Manuele Gragnolati
Lecture: Jürgen Trabant
Followed by a discussion with Fabio Camilletti, Sara Fortuna, Manuele Gragnolati, and Jürgen Trabant
Fatima Naqvi is Associate Professor in the German Department at Rutgers University, where she teaches courses on European film and German literature. Her research interests include Austrian authors and filmmakers of the post-1945 period, the intersection of fine art and literature, dilettantism and the theorization of interdisciplinarity. She is also the author of ‘The Literary and Cultural Rhetoric of Victimhood: Western Europe 1970-2005′, New York: Palgrave, 2007, and of How We Learn Where We Live: Thomas Bernhard, Architecture, and Bildung (2012). Fatima Naqvi is Associate Member of the ICI Berlin.
Damir Arsenijević is a literary theorist and psychoanalyst in training, working and practicing in Bosnia and Herzegovina. He is a founder of the art-theory group ‘Jokes, War, and Genocide’ and his artistic and theoretical interventions are located at the intersection of art, academia, and activism.
Omer Fast is a video artist based in Berlin. He holds an MFA from Hunter College, City University of New York. Much of his work delves into the psychology of contemporary trauma, often relying on the blurring of memory, retelling actual events deploying cinematic conventions.
Kasia Fudakowski studied at the Ruskin School of Drawing and Fine Art, Oxford University. Since moving to Berlin in 2006, her work has developed in a multidisciplinary way that incorporates sculpture, film, writing, and performance.
Abdessamad el Montassir is artist-researcher affiliated with the advanced research institute IMéRA in Marseilles, France. Born in Boujdour, Sahara (southwestern Morocco), he uses the places of his childhood as a starting point for rethinking histories with reference to collective memories, fictions, and non-material archives.
Moderated by Stéphanie Benzaquen-Gautier and Afonso Dias Ramos