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Marta Aleksandrowicz
Aesthetic Modelling at the Limit of the Human Montage
This essay explores the psychoanalytic work of Willy Apollon, and the creative work of Lygia Clark and Clarice Lispector, to rethink the human through an aesthetic lens. While Apollon locates the human outside the cultural montage that controls creativity and desire, Clark’s sculpture
Bichos
and Lispector’s novel
The Passion According to G.H.
model the human as a different, transindividual kind of montage through the aesthetic practice of breaking prevailing models of language, subjectivity, and sculpture.
2025. montage; aesthetic; psychoanalysis; Willy Apollon; Lygia Clark; Clarice Lispector