Lecture in occasion of the publication of two new ICI books on Dante: Dante’s Plurilingualism: Authority, Vulgarization, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati, Jürgen Trabant (Oxford: Legenda, 2010) and Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, ed. by Manuele Gragnolati, Fabio Camilletti, Fabian Lampart (Wien/Berlin: Turia + Kant, 2011).Jürgen Trabant is Professor for European Plurilingualism at Jacobs University Bremen, and Professor emeritus of Romance Linguistics at the Freie Universität Berlin. He taught at the Universities of Tübingen, Bari, Rome, Hamburg, Berlin, and was a Visiting Professor at Stanford University (1988/89, 1991), Leipzig (1992), University of California Davis (1997), EHESS Paris (1998, 2003), Limoges (2003), Naples (2005, 2007, 2010), and Bologna (2008). He is Member of the Berlin-Brandenburg Academy of Sciences and Humanities (1992), Chairman of the Humanities Division of the Berlin-Brandenburg Academy of Sciences and Humanities (1998-2003), Officier de l’ordre national du mérite (1998), and Chevalier dans l’ordre des Arts et des Lettres (2004). He has been working on the French and Italian linguistics, semiotics, History of European linguistic thought, philosophy of language, historical anthropology, and language politics.Programme:
Welcome: Manuele Gragnolati
Lecture: Jürgen Trabant
Followed by a discussion with Fabio Camilletti, Sara Fortuna, Manuele Gragnolati, and Jürgen Trabant
Fatima Naqvi is Associate Professor in the German Department at Rutgers University, where she teaches courses on European film and German literature. Her research interests include Austrian authors and filmmakers of the post-1945 period, the intersection of fine art and literature, dilettantism and the theorization of interdisciplinarity. She is also the author of ‘The Literary and Cultural Rhetoric of Victimhood: Western Europe 1970-2005′, New York: Palgrave, 2007, and of How We Learn Where We Live: Thomas Bernhard, Architecture, and Bildung (2012). Fatima Naqvi is Associate Member of the ICI Berlin.
This event stems from the research project and exhibition ‘Reading by Osmosis’ (Amsterdam, Zone2Source/Het Glazen Huis, 16 February – 28 April 2019, curated by Semâ Bekirović), focusing on artworks made by non-human artists — by animals, trees, the wind, and other entities and processes. Bekirović’s project focuses in particular on works that are inspired by the human domain, or deploy humans or man-made objects as tools and material and has resulted in the book Reading by Osmosis – Nature Interprets Us.
After a short presentation of Bekirović’s project, the evening will begin with a lecture by Michael Marder.
The lecture will be followed by a discussion with ICI Fellows Daniel Liu and Alison Sperling on the possibility and consequences of non-human art production.