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Astrid Deuber-Mankowsky

Queer Post-Cinema

Reinventing Resistance
Cultural Inquiry, 32
Berlin: ICI Berlin Press, 2025
Scheduled for 6 May 2025
ISBN 978-3-96558-088-6 | Hardcover | 39 EUR | xi, 203 pp. | 30 colour images | 20.3 cm x 12.7 cm
ISBN 978-3-96558-089-3 | Paperback | 21.5 EUR | xi, 203 pp. | 30 colour images | 20.3 cm x 12.7 cm
ISBN 978-3-96558-090-9 | PDF | Open Access | 30 colour images | 16 MB
ISBN 978-3-96558-091-6 | EPUB | Open Access | 30 colour images | 21 MB
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The pioneers of what has been labelled New Queer Cinema laid the foundation for a Queer Post-Cinema — a movement in which artists experiment with technology in innovative ways. Through original readings of Todd Haynes’s early films, Sharon Hayes and Yael Bartana’s videos and installations, Su Friedrich’s digital video Seeing Red, Charlie Prodgers’s iPhone film Bridgit, and Claire Denis’s science-fiction film Highlife, this monograph shows how artists are creating a new form of resistance in the time of the digital image and generative AI.
Astrid Deuber-Mankowsky is Professor Emerita of Media Studies and Gender Studies at the Ruhr-Universität Bochum. She has also been a visiting professor at several universities in the United States, Paris, and Indonesia. She is an Associate Member of the ICI Berlin, a member of the Scientific Advisory Board of the German Historical Museum, and a member of the board of the Centre d’études du vivant CEV/Université Paris Cité. Her research focuses on topics in critical, feminist, and queer theory, media philosophy and epistemology, temporality and media aesthetics, philosophy of technology, as well as Jewish Philosophy.
Keywords: new queer cinema; post-cinema; sharon hayes; su friedrich; charlie prodger; claire denis; yael bartana; digital technology; resistance; temporality; LGBTQIA+ activism
Rights: © by the author(s). This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Related Events
Book Presentation, Discussion: Time and Desire in Queer Post-Cinema, ICI Berlin, 19 May 2025
Part of Cultural Inquiry
Title
Queer Post-Cinema
Subtitle
Reinventing Resistance
Author(s)
Astrid Deuber-Mankowsky
Bio(s)
Astrid Deuber-Mankowsky is Professor Emerita of Media Studies and Gender Studies at the Ruhr-Universität Bochum. She has also been a visiting professor at several universities in the United States, Paris, and Indonesia. She is an Associate Member of the ICI Berlin, a member of the Scientific Advisory Board of the German Historical Museum, and a member of the board of the Centre d’études du vivant CEV/Université Paris Cité. Her research focuses on topics in critical, feminist, and queer theory, media philosophy and epistemology, temporality and media aesthetics, philosophy of technology, as well as Jewish Philosophy.
Identifier
https://doi.org/10.37050/ci-32
Description
The pioneers of what has been labelled New Queer Cinema laid the foundation for a Queer Post-Cinema — a movement in which artists experiment with technology in innovative ways. Through original readings of Todd Haynes’s early films, Sharon Hayes and Yael Bartana’s videos and installations, Su Friedrich’s digital video Seeing Red, Charlie Prodgers’s iPhone film Bridgit, and Claire Denis’s science-fiction film Highlife, this monograph shows how artists are creating a new form of resistance in the time of the digital image and generative AI.
Is Part Of
Cultural Inquiry
Place
Berlin
Publisher
ICI Berlin Press
Date
6 May 2025
Number in Series
32
Subject
new queer cinema
post-cinema
sharon hayes
su friedrich
charlie prodger
claire denis
yael bartana
digital technology
resistance
temporality
LGBTQIA+ activism
Rights
© by the author(s)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
http://creativecommons.org/licenses/by-sa/4.0/
Language
en-GB
number of pages
xi, 203
Table Of Contents
Acknowledgments
Introduction | 1-26
Autoimmunity and Sexual Difference in Todd Haynes’s Films Superstar: The Karen Carpenter Story, Poison, and Safe | 27-52
Affective-Political Work with Documents: Sharon Hayes and Yael Bartana | 53-80
Intense Play with Light and Sound: Reading Su Friedrich’s Seeing Red (2005) together with Walter Benjamin’s and Gilles Deleuze’s Philosophies of Technology | 81-114
The iPhone as a Medium of Queer Aesthetics and Fluid Subjectivity: Charlie Prodger’s Bridgit | 115-148
She Is Inseminating: Thanatopolitics and Reproduction in Claire Denis’s Science Fiction Film High Life (2018) | 149-179
Coda | 181-185
References
Index
has manifestation
ISBN 978-3-96558-088-6 | Hardcover | 39 EUR | xi, 203 pp. | 30 colour images | 20.3 cm x 12.7 cm
ISBN 978-3-96558-089-3 | Paperback | 21.5 EUR | xi, 203 pp. | 30 colour images | 20.3 cm x 12.7 cm
ISBN 978-3-96558-090-9 | PDF | Open Access | 30 colour images | 16 MB
ISBN 978-3-96558-091-6 | EPUB | Open Access | 30 colour images | 21 MB

Publication scheduled for 6 May 2025

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Cite as: Astrid Deuber-Mankowsky, Queer Post-Cinema: Reinventing Resistance, Cultural Inquiry, 32 (Berlin: ICI Berlin Press, 2025) <https://doi.org/10.37050/ci-32>