id,url,"Resource class","Item sets",Media,dcterms:title,fabio:hasSubtitle,dcterms:creator,dcterms:identifier,bibo:doi,bibo:uri,dcterms:isPartOf,fabio:hasPlaceOfPublication,dcterms:publisher,dcterms:date,dcterms:rights,foaf:jabberID,dcterms:language,bibo:shortTitle,bibo:pageStart,bibo:pageEnd,dcterms:references,dcterms:source
64,https://oa.ici-berlin.org/repository/doi/10.37050/ci-18_05,bibo:BookSection,,https://oa.ici-berlin.org/files/original/10.37050_ci-18/extension.pdf,Extension,"Reaching the Beloved in Cavalcanti, Dante, and Petrarch","Manuele Gragnolati | Francesca Southerden",https://doi.org/10.37050/ci-18_05,https://press.ici-berlin.org/doi/10.37050/ci-18/extension.html,https://press.ici-berlin.org/doi/10.37050/ci-18/extension.html,https://oa.ici-berlin.org/repository/doi/10.37050/ci-18,Berlin,"ICI Berlin Press",2020-11-17,"This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. | http://creativecommons.org/licenses/by-sa/4.0/",yes,en-GB,Extension,111,133,"Petrarch, Francesco, Canzoniere, ed. by Marco Santagata, rev. ed. (Milan: Mondadori, 2010) | Petrarch, Francesco, Trionfi, Rime estravaganti, Codice degli abbozzi, ed. by Vinicio Pacca and Laura Paolino (Milan: Mondadori, 1996) | Cavalcanti, Guido, Rime. Con le rime di Iacopo Cavalcanti, ed. by Domenico De Robertis (Turin: Einaudi, 1986) | Alighieri, Dante, Rime, ed. by Domenico de Robertis (Tavarnuzze [Florence]: SISMEL · Edizioni del Galluzzo, 2005) | Alighieri, Dante, La Commedia secondo l’antica vulgata, ed. by Giorgio Petrocchi, 4 vols (Milan: Mondadori, 1966–67) | Lombardi, Elena, The Wings of the Doves: Love and Desire in Dante and Medieval Culture (Montréal: McGill-Queen’s University Press, 2012) | Picone, Michelangelo, ‘Addii e assenza amorosa’, in Percorsi della lirica duecentesca. Dai Siciliani alla ‘Vita Nova’ (Florence: Cadmo, 2003), pp. 125–43 | Zanni, Raffaella, ‘Dalla lontananza all’esilio nella lirica italiana del XIII secolo’, Arzanà, 16–17 (2013), pp. 325–63 | Berisso, Marco, ed., Poesie dello Stilnovo (Milan: Rizzoli, 2006) | Calvino, Italo Lezioni Americane. Sei proposte per il prossimo millennio (Milan: Mondadori, 1993) | Lombardi, Elena, Imagining the Woman Reader in the Age of Dante (Oxford: Oxford University Press, 2018) | Sapegno, Natalino, Disegno storico della letteratura italiana, 2nd edn (Florence: La Nuova Italia, 1973) | Giunta, Claudio, ‘Guido Cavalcanti, “Perch’i’ no spero di tornar giammai”’, in Codici. Saggi sulla poesia del Medioevo (Bologna: il Mulino, 2005), pp. 45–61 | Cavalcanti, Guido, Rime, ed. by Roberto Rea and Giorgio Inglese (Rome: Carocci, 2011) | Agamben, Giorgio, Stanzas: Word and Phantasm in Western Culture, trans. by Ronald L. Martinez (Minneapolis: University of Minnesota Press, 1992) | Anichini, Federica, Voices of the Body: Liminal Grammar in Guido Cavalcanti’s Rime / Voci del corpo: grammatica liminale nelle Rime di Guido Cavalcanti (Munich: Meidenbauer, 2009) | Giusti, Francesco, Il desiderio della lirica. Poesia, creazione, conoscenza (Rome: Carocci, 2017) | Marti, Mario, Storia del Dolce Stilnovo (Lecce: Milella, 1973) | Zanni, Raffaella, ‘Prendre congé de sa propre poésie: Perch’i’ no spero di tornar giammai de Guido Cavalcanti’, in Les Deux Guidi: Guinizzelli et Cavalcanti. Mourir d’aimer et autres ruptures, ed. by Marina Gagliano, Philippe Guérin, and Raffaella Zanni (Paris: Presses Sorbonne Nouvelle, 2016), pp. 141–56 | Alighieri, Dante, Rime giovanili e della ‘Vita Nuova’, ed. by Teodolinda Barolini, with notes by Manuele Gragnolati (Milan: Rizzoli, 2009) | Gilson, Simon, Medieval Optics and Theories of Light in the Works of Dante (New York: Edwin Mellen Press, 2000) | Picone, Michelangelo, ‘Esilio e peregrinatio: Dalla Vita Nova alla “Canzone montanina”’, Italianistica: Rivista di letteratura italiana, 36.3 (Sept–Dec 2007), pp. 1–14 | Giusti, Francesco, ‘Rispondere solo a Beatrice. “Tanto gentile e tanto onesta pare” e il rischio della ripetizione lirica’, Revue des études dantesques, 2 (2018), pp. 87–109 | Barolini, Teodolinda, ‘Dante and the Lyric Past’, in Dante and the Origins of Italian Literary Culture (New York: Fordham University Press), pp. 23–46 | Akbari, Suzanne Conklin, Seeing Through the Veil: Optical Theory and Medieval Allegory (Toronto: Toronto University Press, 2004) | Lombardi, Elena, ‘Il pensiero linguistico nella Vita nova’, in Vita nova. Fiore. Epistola xiii, ed. by Manuele Gragnolati and others (Tavarnuzze [Florence]: SISMEL · Edizioni del Galluzzo, 2018), pp. 115–34 | Petrarch, Francesco, Canzoniere. Rerum vulgarium fragmenta, ed. by Rosanna Bettarini, 2 vols (Turin: Einaudi, 2005) | Olson, Paul, ‘Two Sonnets of Heavenly Vision’, Italica, 35 (1958), pp. 156–61 | Lombardi, Elena, ‘“I Desire Therefore I Am”: Petrarch’s Canzoniere between the Medieval and the Modern Notion of Desire’, in Early Modern Medievalisms: The Interplay between Scholarly Reflection and Artistic Production, ed. by Alicia C. Montoya, Wim van Anrooij, and Sophie van Romburgh (Leiden: Brill, 2010), pp. 19–41 | Hainsworth, Peter, Petrarch the Poet: An Introduction to ‘Rerum vulgarium fragmenta’ (New York: Routledge, 2014) | Vickers, Nancy, ‘Re-membering Dante: Petrarch’s “Chiare, fresche et dolci acque”’, MLN, 96.1, Italian Issue (January 1981), pp. 1–11 | Virgil, Eclogues, Georgics, Aeneid Books 1– 6, trans. by H. R. Fairclough, revised by G. P. Goold (Cambridge, MA: Harvard University Press, 1916) | Barthes, Roland, ‘Texte supplément to Le plaisir du texte’, Art Press, 4 (1973) | Halberstam, Judith, The Queer Art of Failure (Durham, NC: Duke University Press, 2011) | Gragnolati, Manuele, and Christoph F. E. Holzhey, eds, De/Constituing Wholes: Towards Partiality Without Parts (Vienna: Turia + Kant, 2017) ","Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy, Cultural Inquiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 111–33"