Cite as:
Discussion of the lecture Anneleen Masschelein, ‘The Challenges of the Uncanny as (Un)concept in the Twentieth and Twenty-first Century’, part of the conference Phantasmata, ICI Berlin, 8 April 2009, video recording, mp4, 18:03 <https://doi.org/10.25620/e090408-1_2>
8 Apr 2009
Discussion
Video in English
Format: mp4Length: 00:18:03
First published on: https://www.ici-berlin.org/events/anneleen-masschelein/
Rights: © ICI Berlin
Part of the Lecture
The Challenges of the Uncanny as (Un)concept in the Twentieth and Twenty-first Century /
Masschelein outlines the curious conceptualization of the uncanny between various disciplines, a concept that only very gradually managed to move to the centre of what is called ‘theory’ and that has always remained in close contact with the margin of this field on the one hand and with the realm of creative production on the other hand. The concept of the uncanny is marked by hybridity and by a certain fleetingness. Although the uncanny sometimes seems omnipresent, the concept is perpetually being questioned in theory. In particular she will zoom in on the evolution from the uncanny’s relation to animism at the end of the 19th century to the realm of robotics, virtual reality and animation in the 21st century.
Anneleen Masschelein is a lecturer at the University of Leuven in Belgium, in the department of literary theory and cultural studies. She is also a postdoctoral research fellow at the Flanders research fund. Currently, she is finalizing her book on the conceptualization of the uncanny in 20th century theory, which is due to appear with SUNY University Press by the end of this year. She has also just finished a book on cultural studies in Dutch, that discusses contemporary cultural ‘myths’ ranging from google books to surveillance and tattoos.
Anneleen Masschelein is a lecturer at the University of Leuven in Belgium, in the department of literary theory and cultural studies. She is also a postdoctoral research fellow at the Flanders research fund. Currently, she is finalizing her book on the conceptualization of the uncanny in 20th century theory, which is due to appear with SUNY University Press by the end of this year. She has also just finished a book on cultural studies in Dutch, that discusses contemporary cultural ‘myths’ ranging from google books to surveillance and tattoos.
Venue
ICI Berlin(Click for further documentation)
Organized by
Fabio CamillettiMartin Doll
Rupert Gaderer
Jan Niklas Howe
Paula Schwebel
In collaboration with the Friedrich Schlegel Graduate School of Literary Studies (FU Berlin).
Part of the Conference
Phantasmata: Techniques of the Uncanny
The aim of this interdisciplinary workshop is to re-assess the Freudian concept of the ‘uncanny’ in relation to its reverberations in literature, arts, aesthetics and politics. Built upon a tension between familiarity and non-familiarity, the ›uncanny‹ is characterized by a peculiarly floating and undetermined nature, thereby allowing to re-discuss it as a model for understanding the interrelation between possible and impossible, norm and deviation in a given culture.
Texts were circulated among attendants before the beginning of the workshop, in order to offer a basis for discussion.
Further information and the programme can be found at http://uncanny.ici-berlin.org.
Venue
ICI Berlin(Click for further documentation)
With
Christine BlättlerSandra Evans
Mathias Korn
Catherine Smale
Tan Wälchli
Roman Widholm
Michaela Wünsch
Elisabeth Bronfen
Anneleen Masschelein
Organized by
Fabio CamillettiMartin Doll
Rupert Gaderer
Jan Niklas Howe
Paula Schwebel
In collaboration with the Friedrich Schlegel Graduate School of Literary Studies (FU Berlin)