Cite as: John Morreall, ‘The Tragic Vision and the Comic Vision’, contribution presented at the roundtable ‘How Do Tragedy and Comedy Make/Unmake the World?’, part of the conference Thinking Through Tragedy and Comedy, ICI Berlin, 4 December 2014, video recording, mp4, 11:11 <https://doi.org/10.25620/e141204_11>
4 Dec 2014
4 Dec 2014
The Tragic Vision and the Comic Vision
By John Morreall
Video in EnglishFormat: mp4
First published on: https://www.ici-berlin.org/events/thinking-tragedy-comedy/
Rights: © ICI Berlin
Part of the Roundtable
How Do Tragedy and Comedy Make/Unmake the World?
Part of the Conference
Thinking Through Tragedy and Comedy: Performance Philosophy and the Future of Genre
How do performance and philosophy encounter one another? Where do thinking and performing overlap? These are fundamental questions that are currently stimulating the ideas of philosophers, theatre and literature scholar and performers alike. Our international symposium offers a forum for this cross-disciplinary debate by focusing on tragedy and comedy as exemplary sites on which the tensions between theatre, philosophy, and performance are played out. Genre studies returns as a foil with which to reframe the discursive cultures that performance and philosophy offer. We seek to trace the future of genre in its philosophical and performative dimension. Our goal is to think the productive clash between generic structure and performative flow.
For further information, a full list of participants, and the complete programme, please visit: www.tragedycomedy.com.
(Click for further documentation)
Organized byRamona Mosse
The Performance Philosophy Working Group Tragedy and Comedy: Genres of Dramatic Thought, in cooperation with the Dahlem Humanities Center and the ICI Berlin, with support of the Center for International Cooperation at the Free University Berlin.