Book Section
Preciosa de Joya
The Punakawans Make an Untimely Appearance
In Praise of Caves, Shadows, and Fire (or A Response to Plato’s Doctrine of Truth)
This paper begins with a Bakhtinian reflection on Javanese shadow puppet theatre (wayang kulit), and explores errancy through carnival laughter embodied and performed by the wise, grotesque figures of clown-servants (punakawan). I argue, however, that here the real subversive power lies not in a combative position that erupts in a social revolution but in offering an alternative way of thinking and being, a deviation from the philosophical (Platonic) obsession for truth and heroic/historic gestures that claim to overcome ignorance and hegemonic/normative structures. Responding to the critique of so-called feudal elements in ‘Javanism’, I explore how the Javanese mantra, ‘manunggaling kawula gusti’ (the union of servant and lord), incessantly rehearsed in the stories and life of the people, reveals neither blindness nor self-dissimulation.
Keywords: Wayang; Wayang kulit; Humour; Grotesque; Kejawen; Theatre--Philosophy; Plato's cave (Allegory); Bakhtin, Mikhail
| Title |
The Punakawans Make an Untimely Appearance
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| Subtitle |
In Praise of Caves, Shadows, and Fire (or A Response to Plato’s Doctrine of Truth)
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| Author(s) |
Preciosa de Joya
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| Identifier | |
| Description |
This paper begins with a Bakhtinian reflection on Javanese shadow puppet theatre (wayang kulit), and explores errancy through carnival laughter embodied and performed by the wise, grotesque figures of clown-servants (punakawan). I argue, however, that here the real subversive power lies not in a combative position that erupts in a social revolution but in offering an alternative way of thinking and being, a deviation from the philosophical (Platonic) obsession for truth and heroic/historic gestures that claim to overcome ignorance and hegemonic/normative structures. Responding to the critique of so-called feudal elements in ‘Javanism’, I explore how the Javanese mantra, ‘manunggaling kawula gusti’ (the union of servant and lord), incessantly rehearsed in the stories and life of the people, reveals neither blindness nor self-dissimulation.
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| Is Part Of | |
| Place |
Berlin
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| Publisher |
ICI Berlin Press
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| Date |
September 20, 2022
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| Subject |
Wayang
Wayang kulit
Humour
Grotesque
Kejawen
Theatre--Philosophy
Plato's cave (Allegory)
Bakhtin, Mikhail
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| Rights |
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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| Language |
en-GB
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| page start |
19
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| page end |
47
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| Source |
Errans: Going Astray, Being Adrift, Coming to Nothing, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer, Cultural Inquiry, 24 (Berlin: ICI Berlin Press, 2022), pp. 19–47
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Cite as:
Preciosa de Joya, ‘The Punakawans Make an Untimely Appearance: In Praise of Caves, Shadows, and Fire (or A Response to Plato’s Doctrine of Truth)’, in Errans: Going Astray, Being Adrift, Coming to Nothing, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer, The Case for Reduction, 24 (Berlin: ICI Berlin Press, 2022), pp. 19-47 <https://doi.org/10.37050/ci-24_1>