Book Section
Nadine Hattom’s text is written as a sequel to the artist’s ‘Shadows’ series (2016), comprised of ten digitally altered photographs made from US Department of Defense public-domain images depicting Operation Iraqi Freedom. As Hattom’s piece explores migration and landscape, it untangles narratives rooted in the colours, textures, ecosystems, and geographies of the Middle East, but also in the political implications of the author’s position in the landscapes of the West.
Keywords: Germany; Landscape; Operation Iraqi Freedom; Sand; ‘Shadows’ series (2016); War
Title
Great Sand
Subtitle
Grains of Occupation and Representation
Author(s)
Nadine Hattom
Identifier
Description
Nadine Hattom’s text is written as a sequel to the artist’s ‘Shadows’ series (2016), comprised of ten digitally altered photographs made from US Department of Defense public-domain images depicting Operation Iraqi Freedom. As Hattom’s piece explores migration and landscape, it untangles narratives rooted in the colours, textures, ecosystems, and geographies of the Middle East, but also in the political implications of the author’s position in the landscapes of the West.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
19 September 2023
Subject
Germany
Landscape
Operation Iraqi Freedom
Sand
‘Shadows’ series (2016)
War
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
105
page end
120
Source
War-torn Ecologies, An-Archic Fragments: Reflections from the Middle East, ed. by Umut Yıldırım, Cultural Inquiry, 27 (Berlin: ICI Berlin Press, 2023), pp. 105–20

References

Cite as: Nadine Hattom, ‘Great Sand: Grains of Occupation and Representation’, in War-torn Ecologies, An-Archic Fragments: Reflections from the Middle East, ed. by Umut Yıldırım, Cultural Inquiry, 27 (Berlin: ICI Berlin Press, 2023), pp. 105-20 <https://doi.org/10.37050/ci-27_5>