Book Section
This introduction rethinks embodiment as a performative and relational process that challenges the legacy of mind-body dualism. Drawing on phenomenology, the authors present the lived body as a body-subject whose perception and knowledge emerge through situated, kinaesthetic engagement with the world. Embodiment is thus understood not as a static condition but as an ongoing choreography of affect, language, and social interaction. The introduction then presents the three interconnected domains explored in the volume: language as an embodied and world-making practice; dance and somatic choreography as paradigms of affective and temporal becoming; and socio-political norms (particularly gender and academic structures) as disciplinary performances inscribed on and enacted by bodies. Together, the essays advance an interdisciplinary framework in which embodiment appears as a dynamic process of co-constitution between bodies, world, and social power.
Keywords: embodiment; performing; mind-body dualism; phenomenology; social norms; affect; language
Title
Introduction
Subtitle
Performing Embodiment
Author(s)
Alberica Bazzoni
Federica Buongiorno
Identifier
Description
This introduction rethinks embodiment as a performative and relational process that challenges the legacy of mind-body dualism. Drawing on phenomenology, the authors present the lived body as a body-subject whose perception and knowledge emerge through situated, kinaesthetic engagement with the world. Embodiment is thus understood not as a static condition but as an ongoing choreography of affect, language, and social interaction. The introduction then presents the three interconnected domains explored in the volume: language as an embodied and world-making practice; dance and somatic choreography as paradigms of affective and temporal becoming; and socio-political norms (particularly gender and academic structures) as disciplinary performances inscribed on and enacted by bodies. Together, the essays advance an interdisciplinary framework in which embodiment appears as a dynamic process of co-constitution between bodies, world, and social power.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
April 28, 2026
Subject
embodiment
performing
mind-body dualism
phenomenology
social norms
affect
language
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
1
page end
11
Source
Performing Embodiment: Choreographies of Affect, Language, and Social Norms, ed. by Alberica Bazzoni and Federica Buongiorno, Cultural Inquiry, 39 (Berlin: ICI Berlin Press, 2026), pp. 1–11

Publication scheduled for 28 April 2026

References

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  • Maturana, Humberto, and Francisco Varela, The Tree of Knowledge: The Biological Roots of Human Understanding [1987], trans. by Robert Paolucci (Shambhala, 1998)
  • Merleau-Ponty, Maurice, Phenomenology of Perception [1945], trans. by Donald A. Landes (Routledge, 2012)
  • Merleau-Ponty, Maurice, Institution and Passivity: Course Notes from the Collège de France (1954–1955), trans. by Leonard Lawlor and Heath Massey (Northwestern University Press, 2010)
  • Varela, Francisco, Eleanor Rosch, and Evan Thompson, The Embodied Mind: Cognitive Science and Human Experience (MIT Press, 1992) <https://doi.org/10.7551/mitpress/6730.001.0001>

Cite as: Alberica Bazzoni and Federica Buongiorno, ‘Introduction: Performing Embodiment’, in Performing Embodiment: Choreographies of Affect, Language, and Social Norms, ed. by Alberica Bazzoni and Federica Buongiorno, Cultural Inquiry, 39 (Berlin: ICI Berlin Press, 2026), pp. 1-11 <https://doi.org/10.37050/ci-39_01>