Book Section
Affective choreographies are produced by artistic performances and performances of daily lives, particularly within digital cultures. They integrate the intensive forces of affect with a choreographic sensibility of bodies, structures, data, environment, and emotions being constantly reconfigured. They are accessed and composed by means of phenomenological reflection and provoke a reconsideration of what constitutes a body. The mixed reality artwork CATALYSTS — Somatic Resonance is one example.
Keywords: affect; choreography; phenomenology; performance; somatics; mixed reality; AI
| Title |
Affective Choreographies
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| Author(s) |
Susan Kozel
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| Identifier | |
| Description |
Affective choreographies are produced by artistic performances and performances of daily lives, particularly within digital cultures. They integrate the intensive forces of affect with a choreographic sensibility of bodies, structures, data, environment, and emotions being constantly reconfigured. They are accessed and composed by means of phenomenological reflection and provoke a reconsideration of what constitutes a body. The mixed reality artwork CATALYSTS — Somatic Resonance is one example.
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| Is Part Of | |
| Place |
Berlin
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| Publisher |
ICI Berlin Press
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| Date |
April 28, 2026
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| Subject |
affect
choreography
phenomenology
performance
somatics
mixed reality
AI
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| Rights |
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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| Language |
en-GB
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| page start |
97
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| page end |
129
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| Source |
Performing Embodiment: Choreographies of Affect, Language, and Social Norms, ed. by Alberica Bazzoni and Federica Buongiorno, Cultural Inquiry, 39 (Berlin: ICI Berlin Press, 2026), pp. 97–129
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Publication scheduled for 28 April 2026
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Cite as:
Susan Kozel, ‘Affective Choreographies’, in Performing Embodiment: Choreographies of Affect, Language, and Social Norms, ed. by Alberica Bazzoni and Federica Buongiorno, Cultural Inquiry, 39 (Berlin: ICI Berlin Press, 2026), pp. 97-129 <https://doi.org/10.37050/ci-39_05>