Book Section
Anja Sunhyun Michaelsen
‘Locked out in nature’
Films on the European Asylum System, Latent Violence, and Ghosts
Following Hannah Arendt’s remarks on refugee camps as spaces of ‘worldlessness’, I examine how, in films on European asylum facilities, systemic violence ‘makes itself known’ in images of nature. Nature separates and isolates ( La Forteresse, Forst), it constitutes a sphere of domination and control ( View from Above), and it functions directly as a murder weapon ( Purple Sea). Nature, in these films, indicates the Outside within, haunted by the latent and ghostly presence of systemic violence.
Keywords: Nature images; European asylum system; refugees; Hannah Arendt; documentary; experimental video
Title |
‘Locked out in nature’
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Subtitle |
Films on the European Asylum System, Latent Violence, and Ghosts
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Author(s) |
Anja Sunhyun Michaelsen
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Identifier | |
Description |
Following Hannah Arendt’s remarks on refugee camps as spaces of ‘worldlessness’, I examine how, in films on European asylum facilities, systemic violence ‘makes itself known’ in images of nature. Nature separates and isolates ( La Forteresse, Forst), it constitutes a sphere of domination and control ( View from Above), and it functions directly as a murder weapon ( Purple Sea). Nature, in these films, indicates the Outside within, haunted by the latent and ghostly presence of systemic violence.
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Is Part Of | |
Place |
Berlin
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Publisher |
ICI Berlin Press
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Date |
2020
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Subject |
Nature images
European asylum system
refugees
Hannah Arendt
documentary
experimental video
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Rights |
© by the author
Except for images or otherwise noted, this work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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Language |
en-GB
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page start |
207
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page end |
225
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Source |
Weathering: Ecologies of Exposure, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer, Cultural Inquiry, 17 (Berlin: ICI Berlin Press, 2020), pp. 207–25
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References
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- Arendt, Hannah, Elemente und Ursprünge totaler Herrschaft (Frankfurt a.M.: Europäische Verlagsanstalt, 1955)
- Arendt, Hannah, The Origins of Totalitarianism (London: Hartcourt Brace Jovanovich, 1973)
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- Gordon, Avery, Ghostly Matters: Haunting and the Sociological Imagination (Minneapolis: University of Minnesota Press, 2008)
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- Williams, Raymond, ‘Structure of Feeling’, in Marxism and Literature (Oxford: Oxford University Press, 1977), pp. 128–35
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- Forst, dir. by Ascan Breuer, Ursula Hansbauer, Wolfgang Konrad, in cooperation with The Voice Refugee Forum and others(2005) <http://www.forstfilm.com/> [accessed 7 June 2020]
- La Forteresse, dir. by Fernand Melgar (2008)
- View from Above, dir. by Hiwa K (2017)
- Island of Hungry Ghosts, dir. by Gabrielle Brady (2018) <http://www.christmasislandfilm.com/> [accessed 7 June 2020]
- Zentralflughafen THF, dir. by Karim Aïnouz (2018) <https://www.zentralflughafen-thf.de/> [accessed 7 June 2020]
- Purple Sea, dir. by Amel Alzakout and Khaled Abdulwahed (2020) <https://purplesea.pong-berlin.de/> [accessed 7 June 2020]
Cite as:
Anja Sunhyun Michaelsen, ‘“Locked out in nature”: Films on the European Asylum System, Latent Violence, and Ghosts’, in Weathering: Ecologies of Exposure, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer, Cultural Inquiry, 17 (Berlin: ICI Berlin Press, 2020), pp. 207-25 <https://doi.org/10.37050/ci-17_10>