Book Section
Gilles Deleuze, borrowing from Maurice Blanchot’s distinctive vocabulary in The Space of Literature, offers death as the ultimate example of the event. In this paper, I propose reversing the current of concept-metaphor against a certain performance theory of sovereignty and ask, not what the concept-metaphor death does for the thought of the event, but what the concept-metaphor event does for the thought of death on the hunger strike in order to explore the divide between the space of dying and the space of politics, which are incompatibly distinct and yet inextricably linked. Revealing an irreducible anachrony between two deaths — the passage of time that separates dying as pure potentiality from death as a radically contingent event that comes either too early or too late — I argue that the political efficacy of hunger striking depends less on the consummation of death in the immediacy of an ecstatic moment than on the prolongation of this interval of time by potentially endless repetitive enactments, which imply both finality and incompletion.
Keywords: hunger strike; death; event; repetition; time; prisons; Turkey
Part of Over and Over and Over Again Containing:
The Reactivation of Time / Cristina Baldacci, Clio Nicastro, Arianna Sforzini
From Re- to Pre- and Back Again / Sven Lütticken
The Reenacted Double: Repetition as a Creative Paradox / Arianna Sforzini
‘The Reconstruction of the Past is the Task of Historians and not Agents’: Operative Reenactment in State Security Archives / Kata Krasznahorkai
The Collection of Jane Ryan & William Saunders: Reconstruction as ‘Democratic Gesture’ / Pio Abad
Insistence: The Temporality of the Death Fast and the Political
‘Interrupting the Present’: Political and Artistic Forms of Reenactments in South Africa / Katja Gentric
Resounding Difficult Histories / Juliana Hodkinson
Archival Diffractions: A Response to Le Nemesiache’s Call / Giulia Damiani
Archival Reenactement and the Role of Fiction: Walid Raad and the Atlas Group Archive / Roberta Agnese
Unintentional Reenactments: Yella by Christian Petzold / Clio Nicastro
Everyday Aesthetics and the Practice of Historical Reenactment: Revisiting Cavell’s Emerson / Ulrike Wagner
Speculative Writing: Unfilmed Scripts and Premediation Events / Pablo Gonçalo
Reenactment in Theatre: Some Reflections on the Philosophical Status of Restaging / Daniela Sacco
Re-search, Re-enactment, Re-design, Re-programmed Art / Serena Cangiano, Davide Fornari, Azalea Seratoni
In the Beginning There Is an End: Approaching Gina Pane, Approaching Discours mou et mat / Malin Arnell
Performance Art in the 1990s and the Generation Gap / Pierre Saurisse
Re-Presenting Art History: An Unfinished Process / Cristina Baldacci
Reconciling Authenticity and Reenactment: An Art Conservation Perspective / Amy Brost
UNFOLD: The Strategic Importance of Reinterpretation for Media Art Mediation and Conservation / Gaby Wijers
Unfold Nan Hoover: On the Importance of Actively Encouraging a Variable Understanding of Artworks for the Sake of their Preservation and Mediation / Vera Sofia Mota, Fransien van der Putt
Living Simulacrum: The Neoplastic Room in Łódź: 1948 / 1960 / 1966 / 1983 / 2006 / 2008 / 2010 / 2011 / 2013 / 2017 / ∞ / Joanna Kiliszek
‘Repetition: Summer Display 1983’ at Van Abbemuseum: Or, What Institutional Curatorial Archives Can Tell Us about the Museum / Michela Alessandrini
‘Political-Timing-Specific’ Performance Art in the Realm of the Museum: The Potential of Reenactment as Practice of Memorialization / Hélia Marçal, Daniela Salazar
‘We Are Gathering Experience’: Restaging the History of Art Education / Alethea Rockwell
Title
Insistence
Subtitle
The Temporality of the Death Fast and the Political
Author(s)
Özge Serin
Identifier
Description
Gilles Deleuze, borrowing from Maurice Blanchot’s distinctive vocabulary in The Space of Literature, offers death as the ultimate example of the event. In this paper, I propose reversing the current of concept-metaphor against a certain performance theory of sovereignty and ask, not what the concept-metaphor death does for the thought of the event, but what the concept-metaphor event does for the thought of death on the hunger strike in order to explore the divide between the space of dying and the space of politics, which are incompatibly distinct and yet inextricably linked. Revealing an irreducible anachrony between two deaths — the passage of time that separates dying as pure potentiality from death as a radically contingent event that comes either too early or too late — I argue that the political efficacy of hunger striking depends less on the consummation of death in the immediacy of an ecstatic moment than on the prolongation of this interval of time by potentially endless repetitive enactments, which imply both finality and incompletion.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
4 January 2022
Subject
hunger strike
death
event
repetition
time
prisons
Turkey
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
47
page end
55
Source
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 47–55

References

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  • ‘F Tipi Tabutluk Gerçeği’ (Truth of the F-Type Coffin), Ekmek ve Adalet, 5 June 2002, p. 5
  • ‘Büyük Direniş 2000–2007 Ölüm Orucu’ (Great Resistance 2000–2007 Death Fast), Yürüyüş, 12 October 2008, p. 10
  • Agamben, Giorgio, Homo Sacer: Sovereign Power and Bare Life, trans. by Daniel Heller-Roazen (Stanford, CA: Stanford University Press, 1998)
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  • Blanchot, Maurice, The Space of Literature, trans. by Ann Smock (Lincoln: University of Nebraska Press, 1989)
  • Blanchot, Maurice, ‘Reading Kafka’, in Blanchot, The Work of Fire, trans. by Charlotte Mandell (Stanford, CA: Stanford University Press, 1995), pp. 1–11
  • Deleuze, Gilles, The Logic of Sense, trans. by Mark Lester and Charles Stivale (New York: Columbia University Press, 1990)
  • Derrida, Jacques, Aporias, trans. by Thomas Dutoit (Stanford, CA: Stanford University Press, 1993)
  • Derrida, Jacques, Demeure: Fiction and Testimony, trans. by Elizabeth Rottenberg (Stanford, CA: Stanford University Press, 2000)
  • Feldman, Allen, Formations of Violence: The Narrative of the Body and Political Terror in Northern Ireland (Chicago: University of Chicago Press, 1992) <https://doi.org/10.7208/chicago/9780226240800.001.0001>
  • Feldman, Allen, Archives of the Insensible: Of War, Photopolitics, and Dead Memory (Chicago: University of Chicago Press, 2015) <https://doi.org/10.7208/chicago/9780226277479.001.0001>
  • Hamacher, Werner, ‘Afformative, Strike’, Cardozo Law Review, 85 (1991–1992), pp. 1133–57

Cite as: Özge Serin, ‘Insistence: The Temporality of the Death Fast and the Political’, in Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 47-55 <https://doi.org/10.37050/ci-21_06>