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Throughout his career, Stanley Cavell’s subject has been the ordinary: what Ralph Waldo Emerson would call ‘the near, the low, the common’. Cavell provides compelling insights into Emerson’s efforts to locate philosophy within the flow of everyday life. He examines how Emerson renews common thinking, citations, and fragments from the works of others by means of his ‘aversive thinking’: his technique of turning writing back upon itself. While taking Cavell’s Emerson readings as its point of departure, this essay switches Cavell’s philosophical angle for a philological one. I suggest that Emerson’s engagement with contemporary debates concerning the historical reading of sacred and secular literature (the Bible, Homer, Shakespeare) formed his own practice of reworking literatures of various origins and recasting aesthetics in major ways.
Keywords: Emerson, Ralph Waldo; Cavell, Stanley; philology; historicism; Grimm, Herman
Part of Over and Over and Over Again Containing:
The Reactivation of Time / Cristina Baldacci, Clio Nicastro, Arianna Sforzini
From Re- to Pre- and Back Again / Sven Lütticken
The Reenacted Double: Repetition as a Creative Paradox / Arianna Sforzini
‘The Reconstruction of the Past is the Task of Historians and not Agents’: Operative Reenactment in State Security Archives / Kata Krasznahorkai
The Collection of Jane Ryan & William Saunders: Reconstruction as ‘Democratic Gesture’ / Pio Abad
Insistence: The Temporality of the Death Fast and the Political / Özge Serin
‘Interrupting the Present’: Political and Artistic Forms of Reenactments in South Africa / Katja Gentric
Resounding Difficult Histories / Juliana Hodkinson
Archival Diffractions: A Response to Le Nemesiache’s Call / Giulia Damiani
Archival Reenactement and the Role of Fiction: Walid Raad and the Atlas Group Archive / Roberta Agnese
Unintentional Reenactments: Yella by Christian Petzold / Clio Nicastro
Everyday Aesthetics and the Practice of Historical Reenactment: Revisiting Cavell’s Emerson
Speculative Writing: Unfilmed Scripts and Premediation Events / Pablo Gonçalo
Reenactment in Theatre: Some Reflections on the Philosophical Status of Restaging / Daniela Sacco
Re-search, Re-enactment, Re-design, Re-programmed Art / Serena Cangiano, Davide Fornari, Azalea Seratoni
In the Beginning There Is an End: Approaching Gina Pane, Approaching Discours mou et mat / Malin Arnell
Performance Art in the 1990s and the Generation Gap / Pierre Saurisse
Re-Presenting Art History: An Unfinished Process / Cristina Baldacci
Reconciling Authenticity and Reenactment: An Art Conservation Perspective / Amy Brost
UNFOLD: The Strategic Importance of Reinterpretation for Media Art Mediation and Conservation / Gaby Wijers
Unfold Nan Hoover: On the Importance of Actively Encouraging a Variable Understanding of Artworks for the Sake of their Preservation and Mediation / Vera Sofia Mota, Fransien van der Putt
Living Simulacrum: The Neoplastic Room in Łódź: 1948 / 1960 / 1966 / 1983 / 2006 / 2008 / 2010 / 2011 / 2013 / 2017 / ∞ / Joanna Kiliszek
‘Repetition: Summer Display 1983’ at Van Abbemuseum: Or, What Institutional Curatorial Archives Can Tell Us about the Museum / Michela Alessandrini
‘Political-Timing-Specific’ Performance Art in the Realm of the Museum: The Potential of Reenactment as Practice of Memorialization / Hélia Marçal, Daniela Salazar
‘We Are Gathering Experience’: Restaging the History of Art Education / Alethea Rockwell
Title
Everyday Aesthetics and the Practice of Historical Reenactment
Subtitle
Revisiting Cavell’s Emerson
Author(s)
Ulrike Wagner
Identifier
Description
Throughout his career, Stanley Cavell’s subject has been the ordinary: what Ralph Waldo Emerson would call ‘the near, the low, the common’. Cavell provides compelling insights into Emerson’s efforts to locate philosophy within the flow of everyday life. He examines how Emerson renews common thinking, citations, and fragments from the works of others by means of his ‘aversive thinking’: his technique of turning writing back upon itself. While taking Cavell’s Emerson readings as its point of departure, this essay switches Cavell’s philosophical angle for a philological one. I suggest that Emerson’s engagement with contemporary debates concerning the historical reading of sacred and secular literature (the Bible, Homer, Shakespeare) formed his own practice of reworking literatures of various origins and recasting aesthetics in major ways.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
4 January 2022
Subject
Emerson, Ralph Waldo
Cavell, Stanley
philology
historicism
Grimm, Herman
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
113
page end
120
Source
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 113–20

References

  • Cavell, Stanley, ‘An Emerson Mood’, in Cavell, Emerson’s Transcendental Etudes, pp. 20–32
  • Cavell, Stanley, ‘The Philosopher in American Life (Toward Thoreau and Emerson)’, in Cavell, Emerson’s Transcendental Etudes, pp. 33–58
  • Cavell, Stanley, ‘Aversive Thinking: Emersonian Representations in Heidegger and Nietzsche’, in Cavell, Emerson’s Transcendental Etudes, pp. 141–70
  • Cavell, Stanley, ‘Being Odd, Getting Even (Descartes, Emerson, Poe)’, in Cavell, In Quest of the Ordinary (Chicago: University of Chicago Press, 1988), pp. 105–30
  • Cavell, Stanley, Emerson’s Transcendental Etudes (Stanford, CA: Stanford University Press, 2003)
  • Emerson, Ralph Waldo, The Early Lectures of Ralph Waldo Emerson, ed. by Stephen E. Whicher, Robert E. Spiller, and Wallace Williams, 3 vols (Cambridge, MA: Harvard University Press, 1959–1972)
  • Emerson, Ralph Waldo, The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, ed. by William H. Gilman and others, 16 vols (Cambridge, MA: Harvard University Press, 1960–1982)
  • Emerson, Ralph Waldo, The Collected Works of Ralph Waldo Emerson, ed. by Alfred R. Ferguson and others, 7 vols to date (Cambridge, MA: Harvard University Press, 1971–)
  • Grimm, Herman, Fünfzehn Essays, 3rd, rev. and enlarged edn (Berlin: Dümmler, 1884)
  • Grimm, Herman, ‘Ralph Waldo Emerson – Ein Nachruf’, in Der Briefwechsel Ralph Waldo Emerson / Herman Grimm und die Bildung von Post-mortem-Gemeinschaften, ed. by Thomas Meyer, trans. by Helga Paul, Europäer-Schriftenreihe, 14 (Basel: Perseus, 2007), pp. 64–78
  • Gura, Philip F., American Transcendentalism: A History (New York: Hill and Wang, 2007)
  • Mueller-Vollmer, Kurt, Transatlantic Crossings and Transformations: German-American Cultural Transfer from the 18th to the End of the 19th Century (Frankfurt a.M.: Peter Lang, 2015)

Cite as: Ulrike Wagner, ‘Everyday Aesthetics and the Practice of Historical Reenactment: Revisiting Cavell’s Emerson’, in Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 113-20 <https://doi.org/10.37050/ci-21_12>