Book Section
Daniela Sacco
Reenactment in Theatre
Some Reflections on the Philosophical Status of Restaging
Theatre, because of its ability to represent through restaging, would seem to be the quintessential platform for reenactment. The Orestea (una commedia organica?) by R. Castelluci and Socìetas Raffaello Sanzio, restaged at the Paris Automne Festival in 2015, twenty years after its 1995 world premiere in Prato, is the starting point for a reflection on the status of restaging in theatre. This case study is the occasion to apply Walter Benjamin’s philosophical concept of the Jetztzeit to a theatrical context, and to consider also the ‘citational’ value of theatrical reenactment. These concepts are useful to study not only the reenactment of theatrical gesture and acting but also to consider the practice of restaging related to the theatrical event conceived in its entirety.
Keywords: Theatre; Castellucci, Romeo; Oresteia; Benjamin, Walter
| Title |
Reenactment in Theatre
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| Subtitle |
Some Reflections on the Philosophical Status of Restaging
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| Author(s) |
Daniela Sacco
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| Identifier | |
| Description |
Theatre, because of its ability to represent through restaging, would seem to be the quintessential platform for reenactment. The Orestea (una commedia organica?) by R. Castelluci and Socìetas Raffaello Sanzio, restaged at the Paris Automne Festival in 2015, twenty years after its 1995 world premiere in Prato, is the starting point for a reflection on the status of restaging in theatre. This case study is the occasion to apply Walter Benjamin’s philosophical concept of the Jetztzeit to a theatrical context, and to consider also the ‘citational’ value of theatrical reenactment. These concepts are useful to study not only the reenactment of theatrical gesture and acting but also to consider the practice of restaging related to the theatrical event conceived in its entirety.
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| Is Part Of | |
| Place |
Berlin
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| Publisher |
ICI Berlin Press
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| Date |
4 January 2022
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| Subject |
Theatre
Castellucci, Romeo
Oresteia
Benjamin, Walter
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| Rights |
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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| Language |
en-GB
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| page start |
131
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| page end |
140
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| Source |
Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 131–40
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References
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- Sacco, Daniela, ‘La Jetztzeit del teatro. L’Orestea della Socìetas Raffaello Sanzio/Romeo Castellucci venti anni dopo’, Biblioteca Teatrale, 119–120.2 (2016), pp. 65–84 <https://doi.org/10.1400/256739>
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Cite as:
Daniela Sacco, ‘Reenactment in Theatre: Some Reflections on the Philosophical Status of Restaging’, in Over and Over and Over Again: Reenactment Strategies in Contemporary Arts and Theory, ed. by Cristina Baldacci, Clio Nicastro, and Arianna Sforzini, Cultural Inquiry, 21 (Berlin: ICI Berlin Press, 2022), pp. 131-40 <https://doi.org/10.37050/ci-21_14>