In the 1960s and 1970s, Pier Paolo Pasolini described a rapidly changing world, expressing a new poetics that can be considered transnational. I will use different examples – beginning with Pasolini’s Indian travelogues – to show how his initial devotion to Italian millenary traditions and peasant cultures finally led to an open vision and understanding of human behaviors and mores beyond any national boundary.
Keywords: Pasolini, Pier Paolo; transnational economy; tradition; postcolonialism in literature; The Sacred
Part of The Scandal of Self-Contradiction Containing:
Frontmatter / Luca Di Blasi, Manuele Gragnolati, Christoph F. E. Holzhey
Introduction / Luca Di Blasi, Manuele Gragnolati, Christoph F. E. Holzhey
‘La vera Diversità’: Multistability, Circularity, and Abjection in Pasolini’s Pilade / Christoph F. E. Holzhey
Pasolini as Jew: Between Israel and Europe / Robert S. C. Gordon
Pier Paolo Pasolini and Pan-Meridional Italianness / Giovanna Trento
The Body of the Actor: Notes on the Relationship between the Body and Acting in Pasolini’s Cinema / Agnese Grieco
The Guest: Transfiguring Indifference in Teorema / Claudia Peppel
Analogy and Difference: Multistable Figures in Pier Paolo Pasolini’s Appunti per un’Orestiade Africana / Manuele Gragnolati
Pasolini and India: De- and Re-Construction of a Myth / Silvia Mazzini
Outside Italy: Pasolini’s Transnational Visions of the Sacred and Tradition
Reconciliation and Stark Incompatibility: Pasolini’s ‘Africa’ and Greek Tragedy / Bernhard Gross
One Divided by Another: Split and Conversion in Pasolini’s San Paolo / Luca Di Blasi
Alain Badiou’s Pasolini: The Problem of Subtractive Universalism / Bruno Besana
Figura lacrima / Hervé Joubert-Laurencin
Cinematographic Aesthetics as Subversion of Moral Reason in Pasolini’s Medea / Astrid Deuber-Mankowsky
Destruction, Negation, Subtraction / Alain Badiou
Bandung Man / L’uomo di Bandung / Pier Paolo Pasolini
mythisnow — pasoliniandeuropetoday / Joulia Strauss
Backmatter / Luca Di Blasi, Manuele Gragnolati, Christoph F. E. Holzhey
Title
Outside Italy
Subtitle
Pasolini’s Transnational Visions of the Sacred and Tradition
Author(s)
Francesca Cadel
Identifier
Description
In the 1960s and 1970s, Pier Paolo Pasolini described a rapidly changing world, expressing a new poetics that can be considered transnational. I will use different examples – beginning with Pasolini’s Indian travelogues – to show how his initial devotion to Italian millenary traditions and peasant cultures finally led to an open vision and understanding of human behaviors and mores beyond any national boundary.
Is Part Of
Place
Vienna
Publisher
Turia + Kant
Date
2012
Subject
Pasolini, Pier Paolo
transnational economy
tradition
postcolonialism in literature
The Sacred
Rights
© by the author(s)
This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Bibliographic Citation
Francesca Cadel, ‘Outside Italy: Pasolini’s Transnational Visions of the Sacred and Tradition’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 151–65 <https://doi.org/10.37050/ci-06_09>
Language
en-GB
page start
151
page end
165
Source
The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 151–65
Format
application/pdf

References

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Cite as: Francesca Cadel, ‘Outside Italy: Pasolini’s Transnational Visions of the Sacred and Tradition’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 151–65 <https://doi.org/10.37050/ci-06_09>