Book Sectionhttps://doi.org/10.37050/ci-06_10
Bernhard Gross
Reconciliation and Stark Incompatibility
Pasolini’s ‘Africa’ and Greek Tragedy
Medea from 1969 is the completion and culmination of a series of Pasolini’s films that engage with Greek tragedy. This series includes his film version of the Oedipus myth from 1967 and his reworking of Aeschylus’s Oresteia into an African Oresteia from 1968. This film, Appunti per un’Orestiade africana, contains a sequence that is odd in a double sense.
Keywords: Pasolini, Pier Paolo; motion pictures; tragedy; classical antiquity; aesthetics; classical tragedy; Italy – History; bourgeoisie
Rights: © by the author(s). This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Title |
Reconciliation and Stark Incompatibility
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Subtitle |
Pasolini’s ‘Africa’ and Greek Tragedy
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Author(s) |
Bernhard Gross
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Identifier | |
Description |
Medea from 1969 is the completion and culmination of a series of Pasolini’s films that engage with Greek tragedy. This series includes his film version of the Oedipus myth from 1967 and his reworking of Aeschylus’s Oresteia into an African Oresteia from 1968. This film, Appunti per un’Orestiade africana, contains a sequence that is odd in a double sense.
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Is Part Of | |
Place |
Vienna
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Publisher |
Turia + Kant
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Date |
2012
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Subject |
Pasolini, Pier Paolo
motion pictures
tragedy
classical antiquity
aesthetics
classical tragedy
Italy – History
bourgeoisie
|
Rights |
© by the author(s)
This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
|
Bibliographic Citation |
Bernhard Gross, ‘Reconciliation and Stark Incompatibility: Pasolini’s ‘Africa’ and Greek Tragedy’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 167–86 <https://doi.org/10.37050/ci-06_10>
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Language |
en-GB
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page start |
167
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page end |
186
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Source |
The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 167–86
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Format |
application/pdf
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References
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Cite as:
Bernhard Gross, ‘Reconciliation and Stark Incompatibility: Pasolini’s ‘Africa’ and Greek Tragedy’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 167–86 <https://doi.org/10.37050/ci-06_10>