Book Sectionhttps://doi.org/10.37050/ci-06_11
Luca Di Blasi
One Divided by Another
Split and Conversion in Pasolini’s San Paolo
While Christian churches dramatically lost ground during the last decades (at least in European societies), in this very period one of the major Christian figures, Saint Paul, attracted the interest of leading ‘progressive’ intellectuals and philosophers like Pier Paolo Pasolini, Alain Badiou, Slavoj Žižek, or Giorgio Agamben. In the following text, by focusing on Pasolini and his uncompleted film project San Paolo, I will concentrate on the notion of the split.
Keywords: Pasolini, Pier Paolo – San Paolo; Paul, Saint; multistable figures; motion picture play; Motion picture autorship; division (split); conversion; Badiou, Alain; Agamben, Giorgio
Rights: © by the author(s). This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
| Title |
One Divided by Another
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| Subtitle |
Split and Conversion in Pasolini’s San Paolo
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| Author(s) |
Luca Di Blasi
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| Identifier | |
| Description |
While Christian churches dramatically lost ground during the last decades (at least in European societies), in this very period one of the major Christian figures, Saint Paul, attracted the interest of leading ‘progressive’ intellectuals and philosophers like Pier Paolo Pasolini, Alain Badiou, Slavoj Žižek, or Giorgio Agamben. In the following text, by focusing on Pasolini and his uncompleted film project San Paolo, I will concentrate on the notion of the split.
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| Is Part Of | |
| Place |
Vienna
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| Publisher |
Turia + Kant
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| Date |
2012
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| Subject |
Pasolini, Pier Paolo – San Paolo
Paul, Saint
multistable figures
motion picture play
Motion picture autorship
division (split)
conversion
Badiou, Alain
Agamben, Giorgio
|
| Rights |
© by the author(s)
This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
|
| Bibliographic Citation |
Luca Di Blasi, ‘One Divided by Another: Split and Conversion in Pasolini’s San Paolo’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 189–207 <https://doi.org/10.37050/ci-06_11>
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| Language |
en-GB
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| page start |
189
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| page end |
207
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| Source |
The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 189–207
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| Format |
application/pdf
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References
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- Badiou, Alain, Saint Paul: The Foundation of Universalism, trans. by Ray Brassier (Stanford: Stanford University Press, 2003)
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- Zwick, Reinhold, ‘Nachwort’, in Pier Paolo Pasolini, Der heilige Paulus, ed. and trans. by Reinhold Zwick and Dagmar Reichardt (Marburg: Schüren, 2007), pp. 157–85
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Cite as:
Luca Di Blasi, ‘One Divided by Another: Split and Conversion in Pasolini’s San Paolo’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 189–207 <https://doi.org/10.37050/ci-06_11>