mythisnow and pasoliniandeuropetoday are not collages. They are multistabilities of ‘nows’ which share the common aspect of eternity. mythisnow is focused on manifestations of ancestral terror and shows its equivalences in the Ancient Greek myths, in Pasolini’s work, and in Greek riots.
Keywords: Pasolini, Pier Paolo; collage; dyptich; eternity; Greek myths; Multistable figures; Political violence; Protest
Part of The Scandal of Self-Contradiction Containing:
Frontmatter / Luca Di Blasi, Manuele Gragnolati, Christoph F. E. Holzhey
Introduction / Luca Di Blasi, Manuele Gragnolati, Christoph F. E. Holzhey
‘La vera Diversità’: Multistability, Circularity, and Abjection in Pasolini’s Pilade / Christoph F. E. Holzhey
Pasolini as Jew: Between Israel and Europe / Robert S. C. Gordon
Pier Paolo Pasolini and Pan-Meridional Italianness / Giovanna Trento
The Body of the Actor: Notes on the Relationship between the Body and Acting in Pasolini’s Cinema / Agnese Grieco
The Guest: Transfiguring Indifference in Teorema / Claudia Peppel
Analogy and Difference: Multistable Figures in Pier Paolo Pasolini’s Appunti per un’Orestiade Africana / Manuele Gragnolati
Pasolini and India: De- and Re-Construction of a Myth / Silvia Mazzini
Outside Italy: Pasolini’s Transnational Visions of the Sacred and Tradition / Francesca Cadel
Reconciliation and Stark Incompatibility: Pasolini’s ‘Africa’ and Greek Tragedy / Bernhard Gross
One Divided by Another: Split and Conversion in Pasolini’s San Paolo / Luca Di Blasi
Alain Badiou’s Pasolini: The Problem of Subtractive Universalism / Bruno Besana
Figura lacrima / Hervé Joubert-Laurencin
Cinematographic Aesthetics as Subversion of Moral Reason in Pasolini’s Medea / Astrid Deuber-Mankowsky
Destruction, Negation, Subtraction / Alain Badiou
Bandung Man / L’uomo di Bandung / Pier Paolo Pasolini
mythisnow — pasoliniandeuropetoday
Backmatter / Luca Di Blasi, Manuele Gragnolati, Christoph F. E. Holzhey
Title
mythisnow — pasoliniandeuropetoday
Author(s)
Joulia Strauss
Identifier
Description
mythisnow and pasoliniandeuropetoday are not collages. They are multistabilities of ‘nows’ which share the common aspect of eternity. mythisnow is focused on manifestations of ancestral terror and shows its equivalences in the Ancient Greek myths, in Pasolini’s work, and in Greek riots.
Is Part Of
Place
Vienna
Publisher
Turia + Kant
Date
2012
Subject
Pasolini, Pier Paolo
collage
dyptich
eternity
Greek myths
Multistable figures
Political violence
Protest
Rights
© by the author(s)
This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Bibliographic Citation
Joulia Strauss, ‘mythisnow — pasoliniandeuropetoday’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 303–05 <https://doi.org/10.37050/ci-06_17>
Language
en-GB
page start
303
page end
305
Source
The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 303–05
Format
application/pdf
Cite as: Joulia Strauss, ‘mythisnow — pasoliniandeuropetoday’, in The Scandal of Self-Contradiction: Pasolini’s Multistable Subjectivities, Geographies, Traditions, ed. by Luca Di Blasi, Manuele Gragnolati, and Christoph F. E. Holzhey, Cultural Inquiry, 6 (Vienna: Turia + Kant, 2012), pp. 303–05 <https://doi.org/10.37050/ci-06_17>