Book Section
Teodolinda Barolini

Possible Worlds and Reading Dante’s Commedia

Suspension of Disbelief (Coleridge, Horace, Tolkien, Cecco d’Ascoli) and the Solvents of Narrative and History
Moving from Coleridge’s classic formulation, I discuss the method of reading the Commedia that I call detheologizing and my use, in The Undivine Comedy, of narratology as a solvent that promotes suspending the suspension of disbelief and becoming critical readers of Dante’s poem. When we detheologize, standing outside of the fiction, we detach our interpretation from reliance on the overdetermined binary grid of the Commedia’s structure and unlock the riches of the possible world that Dante made.
Keywords: suspension of disbelief; possible worlds; detheologizing; realism; narrative in Dante’s Commedia; history in Dante’s Commedia; Coleridge, Samuel; Horace; Tolkien, J. R. R.; Cecco d’Ascoli
Title
Possible Worlds and Reading Dante’s Commedia
Subtitle
Suspension of Disbelief (Coleridge, Horace, Tolkien, Cecco d’Ascoli) and the Solvents of Narrative and History
Author(s)
Teodolinda Barolini
Identifier
Description
Moving from Coleridge’s classic formulation, I discuss the method of reading the Commedia that I call detheologizing and my use, in The Undivine Comedy, of narratology as a solvent that promotes suspending the suspension of disbelief and becoming critical readers of Dante’s poem. When we detheologize, standing outside of the fiction, we detach our interpretation from reliance on the overdetermined binary grid of the Commedia’s structure and unlock the riches of the possible world that Dante made.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
November 4, 2025
Subject
suspension of disbelief
possible worlds
detheologizing
realism
narrative in Dante’s Commedia
history in Dante’s Commedia
Coleridge, Samuel
Horace
Tolkien, J. R. R.
Cecco d’Ascoli
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
15
page end
47
Source
A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 15–47

References

  • ‘Worldbuilding’, Wikipedia, 5 April 2025 <https://en.wikipedia.org/wiki/Worldbuilding> [accessed 11 April 2025]
  • Alighieri, Dante, Dante’s Lyric Poetry: Poems of Youth and of the ‘Vita Nuova’ (1283–1292), ed. by Teodolinda Barolini (Toronto: University of Toronto Press, 2014)
  • Alighieri, Dante, The Divine Comedy, trans. by Allen Mandelbaum, 3 vols (Berkeley: University of California Press, 1980–82)
  • Alighieri, Dante, La Commedia secondo l’antica vulgata, ed. by Giorgio Petrocchi, Società Dantesca Italiana, Edizione Nazionale, 2nd rev. edn, 4 vols (Florence: Le Lettere, 1994)
  • Alighieri, Dante, Rime giovanili e della ‘Vita Nuova’, ed. by Teodolinda Barolini, with notes by Manuele Gragnolati (Milan: Rizzoli, 2009)
  • Alighieri, Dante, De vulgari eloquentia, ed. and trans. by Mirko Tavoni, in Opere, dir. by Marco Santagata, 3 vols (Milan: Mondadori, 2011– ), I: Rime, Vita nova, De vulgari eloquentia (2011), pp. 1067–1547
  • Barański, Zygmunt G., ‘Magister satiricus: Preliminary Notes on Dante, Horace and the Middle Ages’, in Language and Style in Dante, ed. by John C. Barnes and Michelangelo Zaccarello (Dublin: Four Courts Press, 2013), pp. 13–61
  • Barolini, Teodolinda, ‘ Paradiso and the Mimesis of Ideas: Realism versus Reality’, SpazioFilosofico, 8 (2013), pp. 199–208, repr. in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 121–36 <https://doi.org/10.2307/jj.21996052.12>
  • Barolini, Teodolinda, ‘Archeology of the Donna Gentile’, in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 225–42 <https://doi.org/10.2307/jj.21996052.17>
  • Barolini, Teodolinda, ‘Contemporaries Who Found Heterodoxy in Dante: Cecco d’Ascoli, Boccaccio, and Benvenuto da Imola on Fortuna and Inferno 7.89’, in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 45–57 <https://doi.org/10.2307/jj.21996052.8>
  • Barolini, Teodolinda, ‘Dante and Cecco d’Ascoli on Love and Compulsion: The Epistle to Cino, Io sono stato, the Third Heaven’, in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 243–65 <https://doi.org/10.2307/jj.21996052.18>
  • Barolini, Teodolinda, ‘Bertran de Born and Sordello: The Poetry of Politics in Dante’s Comedy’, PMLA, 94.3 (1979), pp. 395–405 <https://doi.org/10.2307/461927>
  • Barolini, Teodolinda, The Undivine Comedy: Detheologizing Dante (Princeton: Princeton University Press, 1992) <https://doi.org/10.1515/9781400820764>
  • Barolini, Teodolinda, La ‘Commedia’ senza Dio. Dante e la creazione di una realtà virtuale, trans. by Roberta Antognini (Milan: Feltrinelli, 2003)
  • Barolini, Teodolinda, ‘Dante and Francesca da Rimini: Realpolitik, Romance, Gender’, Speculum, 75 (2000), pp. 1–28 <https://doi.org/10.2307/2887423>; repr. in Barolini, Dante and the Origins of Italian Literary Culture (New York: Fordham University Press, 2006), pp. 304–32 <https://doi.org/10.5422/fordham/9780823227037.003.0015>
  • Barolini, Teodolinda, ‘ Sotto benda: The Women of Dante’s Canzone Doglia mi reca in the Light of Cecco d’Ascoli’, Dante Studies, 123 (2005), pp. 83–88
  • Barolini, Teodolinda, ‘“Only Historicize”: History, Material Culture (Food, Clothes, Books), and the Future of Dante Studies’, Dante Studies, 127 (2009), pp. 37–54; repr. in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 3–21 <https://doi.org/10.2307/jj.21996052.6>
  • Barolini, Teodolinda, ‘The Case of the Lost Original Ending of Dante’s Vita Nuova: More Notes Toward a Critical Philology’, Medioevo letterario d’Italia, 11 (2014), pp. 27–44; repr. in revised form in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 287–97 <https://doi.org/10.2307/jj.21996052.20>
  • Barolini, Teodolinda, ‘Dante’s Limbo and Equity of Access: Non-Christians, Children, and Criteria of Inclusion and Exclusion, from Inferno 4 to Paradiso 32’, in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 58–81 <https://doi.org/10.2307/jj.21996052.9>
  • Barolini, Teodolinda, ‘The Possible Divine Comedy’, in The Palgrave Encyclopedia of the Possible, ed. by Vlad P. Glăveanu (Cham: Palgrave Macmillan, 2022), pp. 437–44 <https://doi.org/10.1007/978-3-030-90913-0_254>
  • Barolini, Teodolinda, ‘The One and the Many as Philosophical and Narratological Key to Paradiso’, in Letteratura permanente. Poeti, scrittori, critici per Giorgio Ficara, ed. by Igor Candido, Chiara Fenoglio, Raffaello Palumbo Mosca, Giulia Ricca, and Daniele Santero (Milan: La nave di Teseo, 2022), pp. 127–51
  • Barolini, Teodolinda, ‘L’Uno e i Molti quale chiave filosofica e narratologica alla lettura del Paradiso’, in Barolini, Il vento di Aristotele. Saggi danteschi (Milan: La nave di Teseo, 2024), pp. 103–26
  • Barolini, Teodolinda, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022) <https://doi.org/10.2307/jj.21996052>
  • Barolini, Teodolinda, Il vento di Aristotele. Saggi danteschi (Milan: La nave di Teseo, 2024)
  • Barthes, Roland, ‘L’Effet de Réel’, Communications, 11 (1968), pp. 84–89 <https://doi.org/10.3406/comm.1968.1158>
  • Bosco, Umberto, ed., Enciclopedia Dantesca, 6 vols (Rome: Istituto dell’Enciclopedia Italiana, 1970–1978)
  • Cecco d’Ascoli (Francesco Stabili), L’Acerba ( Acerba etas), ed. by Marco Albertazzi, 3rd edn (Lavis: La Finestra, 2016)
  • Coleridge, Samuel Taylor, ‘Lecture X’, in Coleridge’s Miscellaneous Criticism, ed. by Thomas Middleton Raynor (Cambridge: Harvard University Press, 1936), pp. 131–90
  • Coleridge, Samuel Taylor, Biographia Literaria, in The Collected Works of Samuel Taylor Coleridge, 16 vols (Princeton: Princeton University Press, 1969–2001), VII (1985), pp. 1–856
  • Horace, Satires, Epistles and Ars Poetica, ed. and trans. by H. Rushton Fairclough, Loeb Classical Library, 194 (London: William Heinemann, and Cambridge, MA: Harvard University Press, 1970)
  • Ledda, Giuseppe, Il bestiario dell’aldilà: gli animali nella ‘Commedia’ di Dante (Ravenna: Longo, 2019)
  • Singleton, Charles S., ‘Commedia’: Elements of Structure (Cambridge, MA: Harvard University Press, 1954)
  • Tolkien, J. R. R., ‘On Fairy-Stories’, The Tolkien Reader (New York: Ballantine Books, 1966), pp. 31–99
  • Tolkien, J. R. R., The Fellowship of the Ring, 2nd edn (Boston: Houghton Mifflin, 1966)
  • Tomko, Michael, Beyond the Willing Suspension of Disbelief: Poetic Faith from Coleridge to Tolkien, New Directions in Religion and Literature (London: Bloomsbury Academic, 2016)
  • Woltmann, Suzy, ‘How to Make Audiences Suspend Their Disbelief’, Backstage, 18 April 2023 <https://www.backstage.com/magazine/article/suspension-of-disbelief-75754/> [accessed 11 April 2025]

Cite as: Teodolinda Barolini, ‘Possible Worlds and Reading Dante’s Commedia: Suspension of Disbelief (Coleridge, Horace, Tolkien, Cecco d’Ascoli) and the Solvents of Narrative and History’, in A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 15-47 <https://doi.org/10.37050/ci-37_02>