Book Section
I extend Barolini’s method by looking at other forms of ‘camouflaging’ through which Dante diverts our attention from his narrative art: the function of the great characters of the poem and their intertextual relations. The figures that populate the poem are united through the technique of memoria verborum: the ‘allusive art’, or intertextuality. It constitutes a principle that is not only structural but also narratological and aesthetic, establishing a second level of narration beyond the literal one.
Keywords: philology; narrative; Virgil; Beatrice; intertextuality
Title
The Undivine Comedy
Subtitle
Dante One and Multiple
Author(s)
Roberto Antonelli
Identifier
Description
I extend Barolini’s method by looking at other forms of ‘camouflaging’ through which Dante diverts our attention from his narrative art: the function of the great characters of the poem and their intertextual relations. The figures that populate the poem are united through the technique of memoria verborum: the ‘allusive art’, or intertextuality. It constitutes a principle that is not only structural but also narratological and aesthetic, establishing a second level of narration beyond the literal one.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
November 4, 2025
Subject
philology
narrative
Virgil
Beatrice
intertextuality
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
65
page end
98
Source
A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 65–98

References

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Cite as: Roberto Antonelli, ‘The Undivine Comedy: Dante One and Multiple’, in A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 65-98 <https://doi.org/10.37050/ci-37_04>