Book Section
This essay argues that detheologizing — as theorized by Teodolinda Barolini — is the necessary precondition for historicizing Dante’s Commedia. By dismantling the interpretive habits shaped by Dante’s theological framework through a re-examination of the formal structures of the poem, detheologizing makes possible a systematic assessment of the significance of the historical context. This in turn allows for historicized readings that complicate traditional interpretations.
Keywords: detheologizing; historicizing; Farinata degli Uberti; Inferno 10; Guido da Montefeltro; Inferno 27
Title
Detheologize to Historicize
Author(s)
Nassime Chida
Identifier
Description
This essay argues that detheologizing — as theorized by Teodolinda Barolini — is the necessary precondition for historicizing Dante’s Commedia. By dismantling the interpretive habits shaped by Dante’s theological framework through a re-examination of the formal structures of the poem, detheologizing makes possible a systematic assessment of the significance of the historical context. This in turn allows for historicized readings that complicate traditional interpretations.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
November 4, 2025
Subject
detheologizing
historicizing
Farinata degli Uberti
Inferno 10
Guido da Montefeltro
Inferno 27
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
125
page end
133
Source
A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 125–33

References

  • Barolini, Teodolinda, The Undivine Comedy: Detheologizing Dante (Princeton: Princeton University Press, 1992) <https://doi.org/10.1515/9781400820764>
  • Barolini, Teodolinda, ‘Dante and Francesca da Rimini: Realpolitik, Romance, Gender’, Speculum, 75 (2000), pp. 1–28 <https://doi.org/10.2307/2887423>; repr. in Barolini, Dante and the Origins of Italian Literary Culture (New York: Fordham University Press, 2006), pp. 304–32 <https://doi.org/10.5422/fordham/9780823227037.003.0015>
  • Barolini, Teodolinda, ‘“Only Historicize”: History, Material Culture (Food, Clothes, Books), and the Future of Dante Studies’, Dante Studies, 127 (2009), pp. 37–54; repr. in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 3–21 <https://doi.org/10.2307/jj.21996052.6>
  • Barolini, Teodolinda, ‘Dante’s Sympathy for the Other, or the Non-Stereotyping Imagination: Sexual and Racialized Others in the Commedia’, Critica del testo, 14 (2011), pp. 177–204; repr. in revised form in Barolini, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022), pp. 22–44 <https://doi.org/10.2307/jj.21996052.7>
  • Barolini, Teodolinda, Dante’s Multitudes: History, Philosophy, Method (Notre Dame, IN: Notre Dame University Press, 2022) <https://doi.org/10.2307/jj.21996052>
  • Brilli, Elisa, ‘Dante’s Biographies and Historical Studies: An Ouverture’, Dante Studies, 136.1 (2018), pp. 133–42 <https://doi.org/10.1353/das.2018.0004>
  • Brilli, Elisa, ‘Dante e la storia: gli studi storici nelle Letture Classensi (12 dicembre 2020)’, in Cinquant’anni di letture classensi: lingua, storia e modernità di Dante, ed. by Giuseppe Ledda, special issue of Letture Classensi, 49 (2021), pp. 69–88
  • Carpi, Umberto, La nobiltà di Dante (Florence: Polistampa, 2004)
  • Chida, Nassime, ‘Guido da Montefeltro and the Tyrants of Romagna in Inferno 27’, Romanic Review, 112.1 (2021), pp. 97–119 <https://doi.org/10.1215/00358118-8901827>
  • Chida, Nassime, ‘Dante and the legacy of Montaperti’, Studj Romanzi, n.s., 19 (2023), pp. 163–74
  • Delmolino, Grace, ‘Fraudulent Counsel: Legal Temporality and the Poetics of Liability in Dante’s Inferno, Boniface VIII’s Liber Sextus, and Gratian’s De penitentia’, Speculum, 98.3 (2023), pp. 727–62 <https://doi.org/10.1086/725297>
  • Dionisotti, Carlo, ‘Scuola storica’, in Dizionario critico della letteratura italiana, ed. by Vittore Branca, 3 vols (Torino: Unione Tipografico-Editrice Torinese, 1973), III, pp. 352–61
  • Inglese, Giorgio, Vita di Dante. Una biografia possibile (Rome: Carocci, 2015)
  • Marucci, Valerio, ‘Introduzione’, in Francesco Torraca, Commento alla Divina Commedia, 3 vols (Rome: Salerno, 2008), I, pp. 9–32
  • Marucci, Valerio, ‘Francesco Torraca e Dante’, L’Idomeneo, 31 (2021), pp. 97–106
  • Olson, Kristina M., ‘Uncovering the Historical Body of Florence: Dante, Forese Donati, and Sumptuary Legislation’, Italian Culture, 33.1 (2015), pp. 1–15 <https://doi.org/10.1179/0161462214Z.00000000030>
  • Padoan, Giorgio, Il lungo cammino del ‘poema sacro’. Studi danteschi (Florence: Olschki, 1993)
  • Pasquini, Emilio, Dante e le figure del vero. La fabbrica della ‘Commedia’ (Milan: Bruno Mondadori, 2001)
  • Santagata, Marco, Dante. Il romanzo della sua vita (Milan: Mondadori, 2012)
  • Torraca, Francesco, Il Canto V dell’ ‘Inferno’ (Rome: Nuova Antologia, 1902)
  • Vasina, Augusto, I Romagnoli fra autonomie cittadine e accentramento papale nell’età di Dante (Florence: Olschki, 1965)

Cite as: Nassime Chida, ‘Detheologize to Historicize’, in A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 125-33 <https://doi.org/10.37050/ci-37_06>