Book Section
This chapter discusses how The Undivine Comedy unveils an unexpected appreciation of alterity in Paradiso, which mobilizes a paradoxical coexistence of unity and difference by combining narrative and lyrical modes and ending with a ‘jumping textuality’ that conveys the heavenly totum simul. In dialogue with feminist and queer scholars, in particular Julia Kristeva and Leo Bersani, it argues that this textuality replicates the paradoxical pleasure not only of losing but also of finding oneself.
Keywords: desire; body; difference; temporality; aesthetics; nostalgia; reading
Title
Heavenly Paradoxes and Their Pleasures
Author(s)
Manuele Gragnolati
Identifier
Description
This chapter discusses how The Undivine Comedy unveils an unexpected appreciation of alterity in Paradiso, which mobilizes a paradoxical coexistence of unity and difference by combining narrative and lyrical modes and ending with a ‘jumping textuality’ that conveys the heavenly totum simul. In dialogue with feminist and queer scholars, in particular Julia Kristeva and Leo Bersani, it argues that this textuality replicates the paradoxical pleasure not only of losing but also of finding oneself.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
November 4, 2025
Subject
desire
body
difference
temporality
aesthetics
nostalgia
reading
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
299
page end
314
Source
A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 299–314

References

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Cite as: Manuele Gragnolati, ‘Heavenly Paradoxes and Their Pleasures’, in A World of Possibilities: The Legacy of The Undivine Comedy, ed. by Kristina M. Olson, Cultural Inquiry, 37 (Berlin: ICI Berlin Press, 2025), pp. 299-314 <https://doi.org/10.37050/ci-37_15>