Book Section
Manuele Gragnolati
Almut Suerbaum
Almut Suerbaum
Introduction
Medieval Openness
Title |
Introduction
|
Subtitle |
Medieval Openness
|
Author(s) |
Manuele Gragnolati
Almut Suerbaum
|
Identifier | |
Is Part Of | |
Place |
Berlin
|
Publisher |
ICI Berlin Press
|
Date |
19 April 2022
|
Rights |
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
|
Language |
en-GB
|
page start |
1
|
page end |
21
|
Source |
Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum, Cultural Inquiry, 23 (Berlin: ICI Berlin Press, 2022), pp. 1–21
|
References
- Pucelle, Jean, The Hours of Jeanne d’Evreux, Queen of France ( c. 1324–28), Metropolitan Museum of Art, New York, The Cloisters Collection, Accession No 54.1.2, fols 15v–16r <https://www.metmuseum.org/art/collection/search/470309>
- Amtower, Laurel, Engaging Words: The Culture of Reading in the Later Middle Ages (New York: Palgrave, 2000) <https://doi.org/10.1007/978-1-349-62998-5>
- Ascoli, Albert Russell, Dante and the Making of a Modern Author (Cambridge: Cambridge University Press, 2008) <https://doi.org/10.1017/CBO9780511485718>
- Barthes, Roland, ‘From Work to Text’, in Barthes, Image, Music, Text, trans. by Stephen Heath (London: Fontana Press, 1977), pp. 155–64
- Carruthers, Mary, The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400–1200 (Cambridge: Cambridge University Press, 2000)
- Carruthers, Mary, The Book of Memory: A Study of Memory in Medieval Culture, 2nd edn (Cambridge: Cambridge University Press, 2008) <https://doi.org/10.1017/CBO9781107051126>
- Chinca, Mark, and Christopher Young, eds, Orality and Literacy in the Middle Ages: Essays on a Conjunction and its Consequences in Honour of D. H. Green (Turnhout: Brepols, 2005) <https://doi.org/10.1484/M.USML-EB.6.09070802050003050104050102>
- Deeming, Helen, and Elizabeth Eva Leach, eds, Manuscripts and Medieval Song: Inscription, Performance, Context, (Cambridge: Cambridge University Press, 2015) <https://doi.org/10.1017/CBO9781107477193>
- Eco, Umberto, ‘The Poetics of the Open Work’, in The Role of the Reader: Explorations in the Semiotics of Texts (London: Hutchinson, 1979), pp. 47–66
- Eco, Umberto, The Open Work, trans. by Anna Cancogni, intro. by David Robey (Cambridge, MA: Harvard University Press, 1989)
- Fulton Brown, Rachel, Mary and the Art of Prayer: The Hours of the Virgin in Medieval Christian Thought (New York: Columbia University Press, 2017) <https://doi.org/10.7312/fult18168>
- Gaunt, Simon, ‘Discourse Desired: Desire, Subjectivity and Mouvance in Can vei la lauzeta mover’, in Desiring Discourse: The Literature of Love, Ovid through Chaucer, ed. by James Paxson and Cynthia Gravlee (Selinsgrove, PA: Susquehanna University Press, 1998), pp. 89–110
- Gillespie, Vincent, ‘From the Twelfth Century to c.1450’, in The Cambridge History of Literary Criticism, 9 vols (Cambridge: Cambridge University Press, 1990–2013), II, ed. by Alastair Minnis and Ian Johnson (2005), pp. 145–235 <https://doi.org/10.1017/CHOL9780521300070.008>
- Gragnolati, Manuele, ‘Authorship and Performance in Dante’s Vita nova’, in Aspects of the Performative in Medieval Culture, ed. by Gragnolati and Suerbaum, pp. 123–40
- Gragnolati, Manuele, ‘The Lyric Poetry’, in Dante’s ‘Other’ Works, ed. by Zygmunt Baranski and Theodore J. Cachey, Jr (Notre Dame: Notre Dame University Press, 2022), pp. 1–34
- Gragnolati, Manuele, and Almut Suerbaum, eds, Aspects of the Performative in Medieval Culture (Berlin: De Gruyter, 2010) <https://doi.org/10.1515/9783110222470>
- Hamburger, Jeffrey F., The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany (New York: Zone Books, 1998)
- Hamburger, Jeffrey F., ed., Leaves from Paradise: The Cult of John the Evangelist at the Dominican Convent of Paradies bei Soest (Cambridge, MA: Houghton Library of the Harvard College Library, 2008)
- Howie, Cary, Claustrophilia: The Erotics of Enclosure in Medieval Literature (New York: Palgrave Macmillan, 2007) <https://doi.org/10.1057/9780230604148>
- Nash, Susie, ‘Meditation and Imagination’, in Nash, Northern Renaissance Art (Oxford: Oxford University Press, 2008), pp. 271–88
- Newman, Barbara, review of Rachel Fulton Brown, Mary and the Art of Prayer (2018), Speculum 93.4 (2018), pp. 1169–71 <https://doi.org/10.1086/699398>
- Petrucci, Armando, Writers and Readers in Medieval Italy: Studies in the History of Written Culture, ed. and trans. by Charles M. Radding (New Haven, CT: Yale University Press, 1995)
- Rushworth, Jennifer, and Francesca Southerden, eds, The Case for a Medieval Barthes (= Exemplaria, 33.3 (2021)) <https://doi.org/10.1080/10412573.2021.1977514>
- Rösli, Lukas, and Stefanie Gropper, ‘In Search of the Culprit. Aspects of Medieval Authorship Introduction: Introduction’, in In Search of the Culprit: Aspects of Medieval Authorship, ed. by Lukas Rösli and Stefanie Gropper (Berlin, De Gruyter, 2021), pp. 9–16 <https://doi.org/10.1515/9783110725339-001>
- Suerbaum, Almut, ‘ Es kommt ein schiff, geladen: Mouvance in mystischen Liedern aus Straßburg’, in Schreiben und Lesen in der Stadt: Literaturbetrieb im spätmittelalterlichen Straßburg, ed. by Stephen Mossman, Nigel F. Palmer, and Felix Heinzer (Berlin: De Gruyter, 2012), pp. 99–116 <https://doi.org/10.1515/9783110300581.99>
- Suerbaum, Almut, and Annie Sutherland, eds, Medieval Temporalities: The Experience of Time in Medieval Europe (Woodbridge: Boydell & Brewer, 2021) <https://doi.org/10.1017/9781800101609>
- Suerbaum, Almut, George Southcombe, and Benjamin Thompson, eds, Polemic: Language as Violence in Medieval and Early Modern Discourse (Farnham: Ashgate, 2015)
- Williamson, Beth, Christian Art: A Very Short Introduction (Oxford: Oxford University Press, 2004) <https://doi.org/10.1093/actrade/9780192803283.001.0001>
- Zumthor, Paul, Essai de poétique médiévale (Paris: Edition du Seuil, 2000)
Cite as:
Manuele Gragnolati and Almut Suerbaum, ‘Introduction: Medieval Openness’, in Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum, Cultural Inquiry, 23 (Berlin: ICI Berlin Press, 2022), pp. 1-21 <https://doi.org/10.37050/ci-23_01>