Book Section
This essay interprets Dante’s Commedia as an ‘open work’ (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist’s path in the Inferno to the narrator’s anxiety over unfinishedness in the Paradiso. Taking its cue from Boccaccio’s creative rewriting of Dante’s life, the essay resists the pressure of ‘total coherence’ embedded in (and often projected onto) the Commedia, in order to reclaim the material vulnerability of the text and of its author.
Keywords: Umberto Eco; open work; open-ended; interruption; unfinished; vulnerability; textuality
Title
Interrupted and Unfinished
Subtitle
The Open-Ended Dante of the Commedia
Author(s)
Nicolò Crisafi
Identifier
Description
This essay interprets Dante’s Commedia as an ‘open work’ (Eco). It grounds its open-endedness in its representations of interruption: from fictional obstacles in the protagonist’s path in the Inferno to the narrator’s anxiety over unfinishedness in the Paradiso. Taking its cue from Boccaccio’s creative rewriting of Dante’s life, the essay resists the pressure of ‘total coherence’ embedded in (and often projected onto) the Commedia, in order to reclaim the material vulnerability of the text and of its author.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
19 April 2022
Subject
Umberto Eco
open work
open-ended
interruption
unfinished
vulnerability
textuality
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
85
page end
102
Source
Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum, Cultural Inquiry, 23 (Berlin: ICI Berlin Press, 2022), pp. 85–102

References

  • Alighieri, Dante, La Commedia secondo l’antica vulgata, ed. by Giorgio Petrocchi, 4 vols, 2nd edn (Florence: Le Lettere, 1994)
  • Alighieri, Dante, Inferno, trans. by Robert Hollander and Jean Hollander (New York: Anchor, 2000)
  • Alighieri, Dante, Purgatorio, trans. by Robert Hollander and Jean Hollander (New York: Anchor, 2003)
  • Alighieri, Dante, Paradiso, trans. by Robert Hollander and Jean Hollander (New York: Doubleday, 2007)
  • Boccaccio, Giovanni, Trattatello in laude di Dante, ed. by Vittore Branca (Milan: Mondadori, 1974)
  • Ahern, John, ‘Binding the Book: Hermeneutics and Manuscript Production in Paradiso 33’, PMLA, 97.5 (1982), pp. 800–09 <https://doi.org/10.2307/462171>
  • Ahern, John, ‘Dante’s Last Word: The Comedy as a liber coelestis’, Dante Studies, 102 (1984), pp. 1–14
  • Ascoli, Albert Russell, Dante and the Making of a Modern Author (Cambridge: Cambridge University Press, 2008) <https://doi.org/10.1017/CBO9780511485718>
  • Barański, Zygmunt G., ‘ Terza rima, “Canto”, “Canzon”, “Cantica”’, in Dante Now: Current Trends in Dante Studies, ed. by Theodore J. Cachey, Jr (Notre Dame: University of Notre Dame Press, 1995
  • Barolini, Teodolinda, The Undivine ‘Comedy’: Detheologizing Dante (Princeton: Princeton University Press, 1992) <https://doi.org/10.1515/9781400820764>
  • Bland, Mark, A Guide to Early Printed Books and Manuscripts (Chichester: Wiley-Blackwell, 2010) <https://doi.org/10.1002/9781444317855>
  • Ciaranfi, Anna Maria Francini, ‘Iconografia’, in Enciclopedia Dantesca (1970) <http://www.treccani.it/enciclopedia/iconografia_(Enciclopedia-Dantesca)/> [accessed 30 May 2020]
  • Contini, Gianfranco, Un’idea di Dante (Turin: Einaudi, 1970)
  • Croce, Benedetto, La poesia di Dante (Bari: Laterza, 1921)
  • Eco, Umberto, The Role of the Reader: Explorations in the Semiotics of Texts (Bloomington: Indiana University Press, 1979)
  • Gardini, Nicola, Lacuna (Turin: Einaudi, 2014)
  • Gragnolati, Manuele, ‘Insegnare un classico: La complessità di Dante e lo spirito critico’, in In cattedra: Il docente universitario in otto autoritratti, ed. by Chiara Cappelletto (Milan: Raffaello Cortina, 2019)
  • Greene, Thomas M., The Vulnerable Text: Essays on Renaissance Literature (New York: Columbia University Press, 1986)
  • Honess, Claire E., and Matthew Treherne, ‘Introduction’, in Se mai continga …: Exile, Politics and Theology in Dante, ed. by Claire E. Honess and Matthew Treherne (Ravenna: Longo, 2013), pp. 7–10
  • Keen, Catherine, ‘Florence and Faction in Dante’s Lyric Poetry: Framing the Experience of Exile’, in Se mai continga …, ed. by Honess and Treherne, pp. 63–83
  • Kierkegaard, Søren, The Sickness unto Death: A Christian Psychological Exposition for Upbuilding and Awakening, ed. and trans. by Howard V. Hong and Edna H. Hong (Princeton: Princeton University Press, 1980)
  • Ledda, Giuseppe, ‘L’esilio, la speranza, la poesia: Modelli biblici e strutture autobiografiche nel canto XXV del Paradiso’, Studi e Problemi di Critica Testuale, 90.1 (2015), pp. 257–77
  • Lombardi, Elena, The Syntax of Desire: Language and Love in Augustine, the Modistae, Dante (Toronto: University of Toronto Press, 2007)
  • McLaughlin, Martin, ‘Biography and Autobiography in the Italian Renaissance’, in Mapping Lives: The Uses of Biography, ed. by Peter France and William St Clair (Oxford: Oxford University Press, 2004), pp. 37–65 <https://doi.org/10.5871/bacad/9780197263181.003.0004>
  • Rushworth, Jennifer, Discourses of Mourning in Dante, Petrarch, and Proust (Oxford: Oxford University Press, 2016) <https://doi.org/10.1093/acprof:oso/9780198790877.001.0001>
  • Singleton, Charles S, Dante’s ‘Commedia’: Elements of Structure (Baltimore: Johns Hopkins University Press, 1954)
  • Spitzer, Leo, ‘The Addresses to the Reader in the Commedia’, Italica, 32.3 (1955), pp. 143–65 <https://doi.org/10.2307/477276>
  • Steinberg, Justin, Dante and the Limits of the Law (Chicago: University of Chicago Press, 2013 <https://doi.org/10.7208/chicago/9780226071121.001.0001>
  • Steinberg, Justin, ‘The Author’, in The Oxford Handbook of Dante, ed. by Manuele Gragnolati, Elena Lombardi, and Francesca Southerden (Oxford: Oxford University Press, 2021), pp. 3–16 <https://doi.org/10.1093/oxfordhb/9780198820741.013.1>
  • Wakelin, Daniel, Scribal Correction and Literary Craft: English Manuscripts 1375–1510 (Cambridge: Cambridge University Press, 2014) <https://doi.org/10.1017/CBO9781139923279>
  • Wilson, Robert, Prophecies and Prophecy in Dante’s ‘Commedia’ (Florence: Olschki, 2008)

Cite as: Nicolò Crisafi, ‘Interrupted and Unfinished: The Open-Ended Dante of the Commedia’, in Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum, Cultural Inquiry, 23 (Berlin: ICI Berlin Press, 2022), pp. 85-102 <https://doi.org/10.37050/ci-23_05>