Book Section
Almut Suerbaum

Including the Excluded

Strategies of Opening Up in Late Medieval Religious Writing
Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening up a discourse from which the laity had previously been excluded. Using forms which defy conventional author-based aesthetic norms, these songs explore poetic practices which are both collective and inclusive.
Keywords: aesthetics; courtly culture; inclusion; lyric; mouvance; mysticism; textuality
Title
Including the Excluded
Subtitle
Strategies of Opening Up in Late Medieval Religious Writing
Author(s)
Almut Suerbaum
Identifier
Description
Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening up a discourse from which the laity had previously been excluded. Using forms which defy conventional author-based aesthetic norms, these songs explore poetic practices which are both collective and inclusive.
Is Part Of
Place
Berlin
Publisher
ICI Berlin Press
Date
19 April 2022
Subject
aesthetics
courtly culture
inclusion
lyric
mouvance
mysticism
textuality
Rights
© by the author(s)
Except for images or otherwise noted, this publication is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Language
en-GB
page start
191
page end
208
Source
Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum, Cultural Inquiry, 23 (Berlin: ICI Berlin Press, 2022), pp. 191–208

References

  • Wackernagel, Philipp, Das deutsche Kirchenlied von der ältesten Zeit bis zum Anfang des XVII. Jahrhunderts, 5 vols (Leipzig: Teubner, 1864–77)
  • Eckhart, Meister, Werke, ed. by Niklaus Largier, 2 vols (Frankfurt a.M.: Deutscher Klassiker Verlag, 2008), I, trans. by Josef Quint
  • Gottfried von Straßburg, Tristan und Isold, ed. and trans. by Walter Haug and Manfred Scholz, 2 vols (Frankfurt a.M.: Deutscher Klassiker Verlag, 2011)
  • Mechthild von Magdeburg, Das fließende Licht der Gottheit, ed. by Gisela Vollmann-Profe (Frankfurt a.M.: Deutscher Klassiker Verlag, 2003
  • Mechthild von Magdeburg, Lux Divinitatis, ed. by Ernst Hellgardt, Balázs Nemes, and Elke Senne (Berlin: De Gruyter, 2019)
  • Wackernagel, Philipp, Das deutsche Kirchenlied von M. Luther bis auf N. Herman und A. Blaurer (Stuttgart: Liesching, 1841)
  • Ruh, Kurt, ‘Textkritk zum Mystikerlied Granum sinapis’, in Festschrift Josef Quint, ed. by Hugo Moser and others (Bonn: Bouvier, 1964), pp. 169–84
  • Suerbaum, Almut, ‘ Es kommt ein schiff, geladen: Mouvance in mystischen Liedern aus Straßburg’, in Schreiben und Lesen in der Stadt: Literaturbetrieb im spätmittelalterlichen Straßburg, ed. by Stephen Mossman, Nigel F. Palmer, and Felix Heinzer (Berlin: De Gruyter, 2012), pp. 99–116 <https://doi.org/10.1515/9783110300581.99>
  • Suerbaum, Almut, ‘The Pseudo-Tauler Cantilenae’, Ons Geestelijk Eerf, 84 (2013), pp. 41–54
  • Sutherland, Annie, ‘Performing the Penitential Psalms: Maidstone and Bampton’, in Aspects of the Performative in Medieval Culture, ed. by Manuele Gragnolati and Almut Suerbaum (Berlin: De Gruyter, 2014), pp. 15–38
  • Theben, Judith, Die mystische Lyrik des 14. und 15. Jahrhunderts: Untersuchungen — Texte — Repertorium (Berlin: De Gruyter, 2010) <https://doi.org/10.1515/9783484971097>
  • Vollmann-Profe, Gisela, ‘Mechthild von Magdeburg — deutsch und lateinisch’, in Deutsche Mystik im abendländischen Zusammenhang, ed. by Walter Haug and Wolfram Schneider-Lastin (Tübingen: Niemeyer, 2000), pp. 144–58

Cite as: Almut Suerbaum, ‘Including the Excluded: Strategies of Opening Up in Late Medieval Religious Writing’, in Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum, Cultural Inquiry, 23 (Berlin: ICI Berlin Press, 2022), pp. 191-208 <https://doi.org/10.37050/ci-23_10>