Metamorphosing Dante

Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries
Ed. by Manuele Gragnolati
Fabio Camilletti
Fabian Lampart
Vienna: Turia + Kant, 2011
ISBN (Paperback): 978-3-85132-617-8 | 40 EUR | 515 pp. | 24 cm x 16 cm
After almost seven centuries, Dante endures and even seems to haunt the present. Metamorphosing Dante explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include S. Beckett, W. Benjamin, A. Gide, D. Jarman, L. Jones/A. Baraka, J. Joyce, W. Koeppen, J. Lacan, Th. Mann, J. Merrill, E. Montale, P.P. Pasolini, G. Pressburger, R. Rauschenberg, Ch. Wright, V. Woolf.Manuele Gragnolati teaches Dante Studies at the University of Oxford, where he is Fellow of Somerville College. Fabio Camilletti is Assistant Professor of Italian Literature at the University of Warwick. Fabian Lampart is Privatdozent in German Literature at the University of Freiburg.
Keywords: Alighieri, Dante – Divina Commedia; Alighieri, Dante – Vita nuova; productive reception; influence
Title
Metamorphosing Dante
Subtitle
Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries
Editor(s)
Manuele Gragnolati
Fabio Camilletti
Fabian Lampart
Identifier
DOI Target
Description
After almost seven centuries, Dante endures and even seems to haunt the present. Metamorphosing Dante explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include S. Beckett, W. Benjamin, A. Gide, D. Jarman, L. Jones/A. Baraka, J. Joyce, W. Koeppen, J. Lacan, Th. Mann, J. Merrill, E. Montale, P.P. Pasolini, G. Pressburger, R. Rauschenberg, Ch. Wright, V. Woolf.Manuele Gragnolati teaches Dante Studies at the University of Oxford, where he is Fellow of Somerville College. Fabio Camilletti is Assistant Professor of Italian Literature at the University of Warwick. Fabian Lampart is Privatdozent in German Literature at the University of Freiburg.
Is Part Of
Place
Vienna
Publisher
Turia + Kant
Date
2011
Number in Series
2
Subject
Alighieri, Dante – Divina Commedia
Alighieri, Dante – Vita nuova
productive reception
influence
Rights
© by the author(s)
This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Buy Link
Harvested
yes
Language
en-GB
short title
Metamorphosing Dante
number of pages
515
isbn13
978-3-85132-617-8
has manifestation
ISBN (Paperback): 978-3-85132-617-8 | 40 EUR | 515 pp. | 24 cm x 16 cm
Bibliographic Citation
Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, ed. by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, Cultural Inquiry, 2 (Vienna: Turia + Kant, 2011) <https://doi.org/10.25620/ci-02>
Format
application/pdf

Contents

Frontmatter / Manuele Gragnolati, Fabio Camilletti, Fabian Lampart
Metamorphosing Dante / Fabio Camilletti, Manuele Gragnolati, Fabian Lampart
Dante’s ‘Strangeness’ / Federica Pich
Irish Dante / Piero Boitani
Dante as a Gay Poet / Nicola Gardini
Dante’s Inferno and Walter Benjamin’s Cities / Angela Merte-Rankin
‘Il mal seme d’Adamo’ / Florian Trabert
‘Una modesta Divina Commedià’ / Tristan Kay
Reclaiming Paradiso / Rachel Jacoff
‘Perché mi vinse il lume d’esta stella’ / Erminia Ardissino
Per-tras-versionidantesche / Francesca Southerden
Human Desire, Deadly Love / Fabio Camilletti
Wives and Lovers in Dante and Eugenio Montale / Rebecca West
Man with Snake / James Miller
Rewriting Dante after Freud and the Shoah / Manuele Gragnolati
‘Misi me per l’alto mare aperto’ / Teresa Prudente
‘Hell on a Paying Basis’ / Nick Havely
From Giorgio Agamben’s Italian Category of ‘Comedy’ to ‘Profanation’ as the Political Task of Modernity / Manuela Marchesini
Literary Heresy / Dennis Looney
Transferring Dante / Antonella Francini
‘Anzichè allargare, dilaterai!’ / Davide Luglio
A Cardboard Dante / Ronald de Rooy
Backmatter / Manuele Gragnolati, Fabio Camilletti, Fabian Lampart

References

  • Variety Film Reviews , 16 vols (New York and London: Garland, 1983–85)
  • Abramson, Abram, ed., The New York Times Film Reviews (1913–68), 7 vols (New York: New York Times and Arno Press, 1970)
  • Agamben, Giorgio, Categorie italiane: Studi di poetica (Venice: Marsilio, 1996); in English as The End of the Poem: Studies in Poetics, trans. by Daniel Heller-Roazen (Stanford: Stanford University Press, 1999)
  • Agamben, Giorgio, Profanazioni (Rome: Nottetempo, 2005); in English as Profanations, trans. by Jeff Fort (New York: Zone Books, 2007)
  • Agamben, Giorgio, The Signature of All Things: On Method, trans. by Luca D’Isanto with Kevin Attell (New York: Zone Books, 2009)
  • Agamben, Giorgio, Stanze: la parola e il fantasma della cultura occidentale (Turin: Einaudi, 1981)
  • Agard, John, The Young Inferno, illustrated by Satoshi Kitamura (London: Frances Lincoln Children’s Books, 2008)
  • Agosti, Stefano, Critica della testualità: Strutture e articolazioni nel senso dell’opera letteraria (Bologna: ll Mulino, 1994)
  • Agosti, Stefano, Il testo poetico: Teoria e pratiche d’analisi (Milan: Rizzoli, 1972)
  • Alighieri, Dante, The Canzoniere of Dante Alighieri, Including the Poems of the Vita Nuova and Convivio: Italian and English, trans. by Charles Lyell (London: John Murray, 1835)
  • Alighieri, Dante, An Choiméide Dhiaga Dainté Ailígiéirí, trans. by Pádraig de Brún (Dublin: An Clóchomhar, 1997)
  • Alighieri, Dante, The Comedy of Dante Alighieri, trans. by Mary Prentice Lillie (San Francisco: Grabbon Press, 1958)
  • Alighieri, Dante, Comedy, trans. by Robert Hollander and Jean Hollander, 3 vols (New York: Doubleday, 2000–07)
  • Alighieri, Dante, Commedia, ed. by Anna Maria Chiavacci Leonardi, 3 vols (Milan: Mondadori, 1994)
  • Alighieri, Dante, La Commedia secondo l’antica vulgata, ed. by Giorgio Petrocchi, 2nd edn, 4 vols (Florence: Le Lettere, 1994)
  • Alighieri, Dante, Convivio, ed. by Cesare Vasoli (Milan and Naples: Ricciardi, 1988)
  • Alighieri, Dante, De vulgari eloquentia, ed. and trans. by Steven Botterill (Cambridge: Cambridge University Press, 1996) <https://doi.org/10.1017/CBO9780511519444>
  • Alighieri, Dante, La Divina commedia, ed. by Pietro Fraticelli (Florence: G. Barbèra, 1898)
  • Alighieri, Dante, La Divina Commedia, trans. by Harry Morgan Ayres (New York: Vanni, 1953)
  • Alighieri, Dante, The Divine Comedy: A New Prose Translation, trans. by H.R. Huse (New York: Rinehart, 1954)
  • Alighieri, Dante, The Divine Comedy of Dante Alighieri: Inferno, ed. and trans. by Robert M. Durling, intro. and notes by Ronald L. Martinez and Robert M. Durling (Oxford: Oxford University Press, 1996)
  • Alighieri, Dante, The Divine Comedy of Dante Alighieri: A Translation in Terza Rima, trans. by Glen L. Swiggett (Sewanee, TN: University Press of the University of the South, 1956)
  • Alighieri, Dante, The Divine Comedy, trans. by Charles Eliot Norton (New York: Houghton Mifflin, 1891–92)
  • Alighieri, Dante, The Divine Comedy, trans. by Thomas Goddard Bergin (New York: Appleton Century Crafts, 1955)
  • Alighieri, Dante, The Inferno, English & Italian, trans. by John Aitken Carlyle (London: J. M. Dent, 1929)
  • Alighieri, Dante, The Inferno, English and Italian, trans. by John Aitken Carlyle (London: J. M. Dent, 1903)
  • Alighieri, Dante, The Inferno of Dante Alighieri, trans. by Ciaran Carson (London: Granta Books, 2002)
  • Alighieri, Dante, The Inferno, trans. by John Ciardi (New Brunswick: Rutgers University Press, 1954)
  • Alighieri, Dante, Inferno, trans. by John D. Sinclair (New York: Oxford University Press, 1961)
  • Alighieri, Dante, The New Life of Dante Alighieri, trans. by Charles Eliot Norton (Boston: Ticknor and Fields, 1867)
  • Alighieri, Dante, Le opere di Dante Alighieri, ed. by Edward Moore (Oxford: Oxford University Press, 1924)
  • Alighieri, Dante, The Purgatorio, English and Italian, trans. by John Aitken Carlyle (London: J. M. Dent, 1902)
  • Alighieri, Dante, Purgatory, trans. by Dorothy L. Sayers (Baltimore: Penguin, 1955)
  • Alighieri, Dante, Rime, ed. by Domenico De Robertis, 3 vols (Florence: Le Lettere, 2002)
  • Alighieri, Dante, Rime giovanili e della ‘Vita Nuova’, ed. by Teodolinda Barolini; notes by Manuele Gragnolati (Milan: Rizzoli, 2009)
  • Alighieri, Dante, The Vision, or Hell, Purgatory and Paradise of Dante Alighieri, trans. by Henry Francis Cary (Oxford: Oxford University Press, 1921)
  • Alighieri, Dante, Vita Nova, ed. by Guglielmo Gorni (Turin: Einaudi, 1996)
  • Alighieri, Dante, Vita nuova, ed. by Domenico De Robertis (Milan and Naples: Ricciardi, 1980)
  • Alighieri, Dante – Divina Commedia; productive reception; English literature; Woolf, Virginia; personality,
  • Alterrocca, Bona, Pavese dopo un quarto di secolo (Turin: Società Editrice Internazionale, 1975)
  • Amigoni, Ferdinando, La più semplice macchina: Lettura freudiana del Pasticciaccio (Bologna: Il Mulino, 1995)
  • Aquinas, Thomas, Summa Theologica, 5 vols (New York: Cosimo, 2007)
  • Ardissino, Erminia, and Sabrina Stroppa Tomasi, eds, Dialoghi con Dante: Riscritture e ricodificazioni della ‘Commedia’ (Rome: Edizioni di Storia e Letteratura, 2007)
  • Ariani, Marco, ed., La metafora in Dante (Florence: Olschki, 2009)
  • Armour, Peter, ‘Gold, Silver and True Treasure: Economic Imagery in Dante’, Romance Studies, 23 (1994), pp. 7–30 <https://doi.org/10.1179/ros.1994.12.1.7>
  • Arru, Francesco, ‘La Vita Nova de Dante chez les écrivains de la deuxième moitié du XIXe siècle en France, Italie, Grande Bretagne’ (unpublished doctoral thesis, University of Paris IV-Sorbonne, 2002)
  • Ascoli, Albert R., Dante and the Making of a Modern Author (Cambridge: Cambridge University Press, 2008) <https://doi.org/10.1017/CBO9780511485718>
  • Ashton, Dore, Rauschenberg’s XXXIV Drawings for Dante's Inferno (New York: Harry N. Abrams, 1964)
  • Ashton, Dore, ‘Thirty-four illustrations for Dante’s Inferno’, METRO, 2 (May 1961), pp. 52–61
  • Auden, W. H., ‘The Vision of Eros’, in The Poets’ Dante, ed. by Peter S. Hawkins and Peter and Rachel Jacoff (New York: Farrar, Straus and Giroux, 2001), pp. 136-43
  • Auerbach, Erich, Dante: Poet of the Secular World (Chicago: University of Chicago Press, 1961)
  • Auerbach, Erich, Mimesis, dargestellte Wirklichkeit in der abendländischen Literatur (Bern: A. Franke A. G. Verlag, 1946); in English as Mimesis: The Representation of Reality in Western Literature (Princeton: Princeton University Press, 2003)
  • Auricchio, Laura, ‘Lifting the Veil: Robert Rauschenberg’s Thirty Four Illustrations for Dante’s Inferno and the Commercial Homoerotic Imagery of the 1950s America’, in The Gay 90s: Disciplinary and Interdisciplinary in Queer Studies, ed. by Thomas Forster, Carol Siegel and Ellen E. Berry, special issue of Gender, 26 (1997), pp. 119–55
  • Baer, Richard D., ed., Harrison’s Reports and Film Reviews, 15 vols (Hollywood: Hollywood Film Archive, 1992–95)
  • Balio, Tino, Grand Design: Hollywood as a Modern Business Enterprise 1930–1939 (New York: Scribner, 1993)
  • Balsamo, Gian, Joyce’s Messianism: Dante, Negative Existence and the Messianic Self (Columbia, SC: University of South Carolina Press, 2004)
  • Banfield, Ann, The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism (Cambridge: Cambridge University Press, 2000)
  • Baraka, Amiri, The Autobiography of LeRoi Jones (New York: Freundlich Books, 1984)
  • Baraka, Amiri, The Dead Lecturer, in Three Books by Amiri Baraka (LeRoi Jones) (New York: Grove Press, 1975)
  • Baraka, Amiri, The Fiction of LeRoi Jones/Amiri Baraka (Chicago: Lawrence Hill Books, 2000
  • Baraka, Amiri, Home: Social Essays (New York: William Morrow, 1966)
  • Baraka, Amiri, Kawaida Studies: The New Nationalism (Chicago: Third World Press, 1972)
  • Baranski, Zygmunt, ‘The Power of Influence: Aspects of Dante’s Presence in Twentieth-Century Italian Culture’, Strumenti Critici, 1.3 (1986), pp. 343–76
  • Barner, Wilfried, Produktive Rezeption: Lessing und die Tragödien Senecas (Munich: Beck, 1973)
  • Barolini, Teodolinda, ‘Dante: Multiplicities of History, Identities of Belief’ (lecture, to be published as ‘Dante’s Sympathy for the Other, or the Non-Stereotyping Imagination: Sexual and Racialized Others in the Commedia’, available online at < http://www.universityprograms. columbia.edu/video-gallery > [accessed 11 July 2010])
  • Barolini, Teodolinda, ‘Dante and Francesca da Rimini: Realpolitik, Romance, Gender’, Speculum, 75 (2000), pp. 1–28 <https://doi.org/10.2307/2887423>
  • Barolini, Teodolinda, Dante and the Origins of Italian Literary Culture (New York: Fordham University Press, 2006) <https://doi.org/10.5422/fordham/9780823227037.001.0001>
  • Barolini, Teodolinda, Dante’s Poets: Textuality and Truth in the ‘Comedy’ (Princeton: Princeton University Press, 1984) <https://doi.org/10.1515/9781400853212>
  • Barolini, Teodolinda, The Undivine ‘Comedy’: Detheologizing Dante (Princeton: Princeton University Press, 1992) <https://doi.org/10.1515/9781400820764>
  • Barolini, Teodolinda, The Undivine ‘Comedy’: Detheologizing Dante (Princeton: Princeton University Press, 1992) <https://doi.org/10.1515/9781400820764> <https://doi.org/10.1515/9781400820764>
  • Barriuso Andino, Manuel, ‘Cesare Pavese tra la luna e i falò’, in Ritorno all’uomo: Saggi internazionali di critica pavesiana, ed. by Antonio Catalfamo (Santo Stefano Belbo: I Quaderni del Centro Pavesiano, 2001), pp. 43-54
  • Barthes, Roland, Image, Music, Text, trans. by Stephen Heath (New York: Hill and Wang, 1977)
  • Barthes, Roland, Mythologies, trans. by Annette Lavers (New York: Hill and Wang, 1972)
  • Barthes, Roland, La préparation du roman I et II: Cours et séminaires au Collège de France (1978–1979 et 1979–1980), ed. by Nathalie Léger (Paris: Seuil, 2003)
  • Bartoli, Adolfo, Storia della letteratura italiana, 7 vols (Florence: Sansoni, 1878–89)
  • Beckett, Samuel, The Beckett Trilogy (London: Pan, 1979)
  • Beckett, Samuel, Le Dépeupleur (Paris: Minuit, 1993)
  • Beckett, Samuel, Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. by Ruby Cohn (New York: Grove, 1984)
  • Beckett, Samuel, Dream of Fair to Middling Women, ed. by Eoin O’Brien and Edith Fournier (London: Calder, 1993)
  • Beckett, Samuel, En attendant Godot (Paris: Minuit, 1973)
  • Beckett, Samuel, More Pricks than Kicks (London: Calder, 1993)
  • Beckett, Samuel, Nouvelles et Textes pour rien (Paris: Minuit, 1974)
  • Bell, Quentin, Virginia Woolf, 2 vols (London: Hogarth Press, 1972)
  • Benjamin, Walter, Angelus Novus: Saggi e frammenti, ed. by Renato Solmi (Turin: Einaudi, 1995)
  • Benjamin, Walter, Gesammelte Schriften, ed. by Rolf Tiedemann et al., 7 vols (Frankfurt a.M.: Suhrkamp, 1974–89)
  • Benjamin, Walter, Illuminations, ed. by Hannah Arendt and trans. by Harry Zohn (New York: Schocken, 1969)
  • Benjamin, Walter, Selected Writings, ed. by Michael W. Jennings, Howard Eiland, and Gary Smith; trans. by Rodney Livingstone et al., 4 vols (Cambridge, MA: Belknap Press, 2005–06)
  • Benjamin, Walter, The Writer of Modern Life, ed. by Michel W. Jennings, trans. by Harry Zohn (Cambridge, MA: Belknap Press, 2006)
  • Berardinelli, Alfonso, La forma del saggio: Definizione e attualitа di un genere letterario (Venice: Marsilio, 2002)
  • Berger, James, After the End: Representations of Post-Apocalypse (Minneapolis: University of Minnesota Press, 2009)
  • Bertone, Manuela, Il romanzo come sistema: molteplicità e differenza in Carlo Emilio Gadda (Rome: Editori Riuniti, 1993)
  • Biasin, Gian-Paolo, The Smile of the Gods: A Thematic Study of Cesare Pavese’s Works, trans. by Yvonne Freccero (Ithaca: Cornell University Press, 1968)
  • Bigsby, Christopher, ed., Nineteenth-Century American Short Stories (London: Everyman, 1995)
  • Birk, Sandow, and Marcus Sanders, Dante’s Inferno, illustrated by Sandow Birk, text adapted by Sandow Birk and Marcus Sanders (San Francisco: Chronicle Books, 2004)
  • Birk, Sandow, Marcus Sanders, Dante’s Paradiso, illustrated by Sandow Birk, text adapted by Sandow Birk and Marcus Sanders (San Francisco: Chronicle Books, 2005)
  • Birk, Sandow, Marcus Sanders, Dante’s Purgatorio, illustrated by Sandow Birk, text adapted by Sandow Birk and Marcus Sanders (San Francisco: Chronicle Books, 2005)
  • Blake, William, Songs of Innocence: The Complete Writings of William Blake, ed. by Geoffrey Keynes (London: Oxford University Press, 1966)
  • Blaser, Robin, ‘Excerpts from Astonishments’, in Even on Sunday: Essays, Readings, and Archival material on the Poetry and Poetics of Robin Blaser, ed. by Miriam Nichols (Orono, ME: University of Maine at Orono, 1982), special issue of Sagetrieb, 1.1 (Spring 1982), pp. 281–82
  • Bloom, Harold, The Western Canon. The Books and School of the Ages (New York: Harcourt Brace, 1994)
  • Boase, Roger, The Origin and Meaning of Courtly Love: A Critical Study of European Scholarship (Manchester: Manchester University Press, 1977)
  • Boccaccio, Giovanni, Opere in versi, Corbaccio, Trattatello, ed. by Pier Giorgio Ricci (Milan and Naples: Ricciardi, 1965)
  • Boitani, Piero, Letteratura europea e Medioevo volgare (Bologna: Il Mulino, 2007)
  • Boitani, Piero, The Tragic and the Sublime in Medieval Literature (Cambridge: Cambridge University Press, 1989)
  • Boldrini, Lucia, Joyce, Dante and the Poetics of Literary Relations (Cambridge: Cambridge University Press, 2001)
  • Bologna, Corrado, Il ritorno di Beatrice: Simmetrie dantesche fra ‘Vita Nova’, ‘petrose’ e ‘Commedia’ (Rome: Salerno, 1998)
  • Boni, Marco, Sordello, le poesie (Bologna: Libreria Antiquaria Palmaverde, 1954)
  • Booth, Wayne C., The Company We Keep: An Ethics of Fiction (Berkeley: University of California Press, 1988)
  • Bordwell, David, Janet Staiger, and Kristin Thompson, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (London: Routledge, 1985) <https://doi.org/10.2307/1772109>
  • Borges, Jorge Luis, Nine Dantesque Essays, in Total Library: Non-Fiction 1922–1986, ed. by Eliot Weinberger, trans. by Esther Allen, Suzanne Jill Levine, and Eliot Weinberger (New York: Viking, 1999), pp. 265–305
  • Bossi, Maurizio, Antonella Francini, Francesco Stella, and Lucia Tonini, eds, Rewriting Dante/Le riscritture di Dante: Russia, USA, Italia, special issue of Semicerchio, 36 (2007)
  • Braida, Antonella, Dante and the Romantics (Basingstoke: Macmillan, 2004) <https://doi.org/10.1057/9780230508491>
  • Braida, Antonella, ‘Dante’s Inferno in the 1900s: From Drama to Film’, in Dante on View: The Reception of Dante in the Visual and Performing Arts, ed. by Antonella Braida and Luisa Calè (Aldershot: Ashgate, 2007), pp. 39–51 <https://doi.org/10.4324/9781315258522-4>
  • Braida, Antonella, and Luisa Calè, eds, Dante on View: The Reception of Dante in the Visual and Performing Arts (Aldershot: Ashgate, 2007)
  • Bramwell, Tom, ‘EA confirms Dante’s Inferno game’, electronic article at <http://www.eurogamer.net/articles/ea-confirms-dantes-inferno-game> [accessed 21 January 2009]
  • Bronfen, Elisabeth, Over Her Dead Body: Death, Femininity and the Aesthetic (Manchester: Manchester University Press, 1992)
  • Brooks, Peter, Troubling Confessions: Speaking Guilt in Law and Literature (Chicago, University of Chicago Press, 2000)
  • Brownlee, Kevin, ‘Dante and Narcissus ( Purg. XXX, 76–99)’, Dante Studies, 96 (1978), pp. 201–06
  • Bruhm, Steven, Reflecting Narcissus: A Queer Aesthetic (Minneapolis: University of Minnesota Press, 2001)
  • Bryden, Mary, ‘No Stars Without Stripes: Beckett and Dante’, The Romanic Review, 87.4 (1996), pp. 541–56
  • Caesar, Michael, Dante: The Critical Heritage, 1314(?)–1870 (London: Routledge, 1989)
  • Cage, John, ‘On Robert Rauschenberg, Artist, and His Work’, in Silence (Middleton, CT: Wesleyan University Press, 1973), pp. 98–108
  • Camilleri, Andrea, Storie di Montalbano, ed. by Mauro Novelli, Nino Borsellino and Antonio Franchini (Milan: Mondadori, 2002)
  • Camilletti, Fabio, Beatrice nell’Inferno di Londra: Saggio su Dante Gabriel Rossetti (Trento: La Finestra, 2005)
  • Camilletti, Fabio, Dante’s Book of Youth. The ‘Vita Nova’ and the Nineteenth-Century (1840–1907) (London: IGRS Books, forthcoming)
  • Camilletti, Fabio, ‘Dante’s Vita Nova and the Victorians: the Hidden Image Behind Rossetti’s Giotto Painting the Portrait of Dante’, in The Victorians and Italy: Literature, Travel, Politics and Art, ed. by Alessandro Vescovi, Luisa Villa, and Paul Vita (Monza: Polimetrica, 2009), pp. 181–92
  • Camilletti, Fabio, ‘I sospiri della santa: La donna e la malinconia nell’opera di Dante Gabriel Rossetti dalla Blessed Damozel a Bocca Baciata’, Contemporanea, 3 (2005), pp. 77–83
  • Camilletti, Fabio, ‘Il passo di Nerina. Storia, memoria e formule di pathos ne Le Ricordanze’, Italianistica (forthcoming Fall 2010)
  • Casadei, Alberto, ‘Dante nel ventesimo secolo (e oggi)’, L’Alighieri, 35 (2010), pp. 45–74
  • Casadio, Gianfranco, Dante nel cinema (Ravenna: Longo, 1996)
  • Caselli, Daniela, Beckett’s Dantes: Intertextuality in the Fiction and Criticism (Manchester: Manchester University Press, 2005)
  • Casey, Edward S., The Fate of Place: A Philosophical History (Berkeley: University of California Press, 1998)
  • Casey, Edward S., Getting Back into Place: Toward a Renewed Understanding of the Place-World (Bloomington: Indiana University Press, 1993)
  • Cataldi, Pietro, Dante e la nascita dell’allegoria (Palermo: Palumbo, 2008)
  • Cataldi, Pietro, ‘Perché leggere Dante (oggi)?’, Allegoria, 11 (1999), pp. 43–50
  • Catalfamo, Antonio, ed., Cesare Pavese: Tra ‘destino’ e ‘speranza’: Nuova rassegna di saggi internazionali di critica pavesiana (Santo Stefano Belbo: I Quaderni del Centro Pavesiano, 2002)
  • Catalfamo, Antonio, ed., Ritorno all’uomo: Saggi internazionali di critica pavesiana (Santo Stefano Belbo: I Quaderni del Centro Pavesiano, 2001)
  • Cattaneo, Giulio, Il gran lombardo (Milan: Garzanti, 1973)
  • Cendrars, Blaise, Hollywood, Mecca of the Movies, trans. by Garrett White (Berkeley: University of California Press, 1995) <https://doi.org/10.1525/9780520340527>
  • Ceronetti, Guido, Un viaggio in Italia (Turin: Einaudi, 2004)
  • Cestaro, Gary, ‘Is Ulysses Queer? The Subject of Greek love in Inferno XV and XXVI’, in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati, and Jürgen Trabant (Oxford: Legenda, 2010), pp. 172–92.
  • Chapin, D. L. Darby, ‘IO and the Negative Apotheosis of Vanni Fucci’, Dante Studies, 89 (1971), pp. 19–31
  • Cima, Annalisa, and Cesare Segre, Eugenio Montale (Milan: Rizzoli, 1977)
  • Cixous, Hélène, ‘The Laugh of Medusa’, in New French Feminisms: An Anthology, ed. by Elaine Marks and Isabelle De Courtivron (Amherst: University of Massachusetts Press, 1980), pp. 245–64
  • Cogan, Marc, The Design in the Wax: The Structure of the ‘Divine Comedy’ and Its Meaning (Notre Dame, IN: University of Notre Dame Press, 1999) <https://doi.org/10.2307/j.ctvpj7dm5>
  • Coleridge, Samuel T., La ballata del vecchio marinaio–Kubla Khan, ed. by Alessandro Ceni (Milan: Feltrinelli, 2002)
  • Coleridge, Samuel T., Poetical Works (Oxford: Oxford University Press, 1969)
  • Compagnon, Antoine, Le démon de la théorie: littérature et sens commun (Paris: Seuil, 1998)
  • Contini, Gianfranco, Ultimi esercizi ed elzeviri (1968–1987) (Turin: Einaudi, 1988)
  • Cordibella, Giovanna, Di fronte al romanzo: Contaminazioni nella poesia di Vittorio Sereni (Bologna: Pendragon, 2004)
  • Davis, Charles T., Dante’s Italy and Other Essays (Philadelphia: University of Pennsylvania Press, 1984)
  • Davis, Harry, ‘ La luna e i falò: What Kind of Ripeness?’, Italian Studies, 39 (1984), pp. 79–90 <https://doi.org/10.1179/its.1984.39.1.79>
  • De Benedictis, Maurizio, La piega nera: Groviglio stilistico ed enigma della femminilità in Carlo Emilio Gadda (Anzio: De Rubeis, 1991)
  • De Gay, Jane, Virginia Woolf’s Novels and the Literary Past (Edinburgh: Edinburgh University Press, 2006) <https://doi.org/10.3366/edinburgh/9780748623495.001.0001>
  • Delay, Jean, La jeunesse d’André Gide, 2 vols (Paris: Gallimard, 1956)
  • Deleuze, Gilles, and Felix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia (London: Continuum, 2004)
  • De Man, Paul, Blindness and Insight (Minneapolis: University of Minnesota Press, 1985)
  • de Rooy, Ronald, ‘Il poeta che parla ai poeti’: Elementi danteschi nella poesia italiana e anglosassone del secondo Novecento (Florence: Franco Cesati, 2003)
  • Diaconescu-Blumenfeld, Rodica, Born Illiterate: Gender and Representation in Gadda’s Pasticciaccio (Leicester: Troubador, 1999)
  • Diaconescu-Blumenfeld, Rodica, ‘Regemination in Gadda’s Pasticciaccio’, Quaderni d’italianistica, 16.1 (1995), pp. 117–21
  • di Prima, Diane, Recollections of My Life as a Woman: The New York Years (New York: Viking, 2001)
  • Di Rocco, Emilia, ‘Beckett e Dante’, Strumenti critici, 3 (2005), pp. 403–22
  • Dody, Sandford, Giving Up the Ghost: A Writer’s Life among the Stars (New York: Evans, 1980)
  • Dolfi, Anna, ‘Dante e i poeti del Novecento’, Studi danteschi, 58 (1986), pp. 307–42
  • Dombroski, Robert, L’esistenza ubbidiente (Naples: Guida, 1984)
  • Dronke, Peter, Dante and Medieval Latin Traditions (Cambridge: Cambridge University Press, 1986)
  • Duncan, Derek, ‘Naming the Narrator in La luna e i falò’, Modern Language Review, 86 (1991), pp. 592–601 <https://doi.org/10.2307/3731007>
  • Duncan, Robert, Bending the Bow (New York: New Directions, 1968)
  • Duncan, Robert, Caesar’s Gate (Berkeley: Sand Dollar, 1972)
  • Duncan, Robert, Fictive Certainties (New York: New Directions, 1985) <https://doi.org/10.1002/ev.1384>
  • Duncan, Robert, A Selected Prose, ed. by Robert Bertholf (New York: New Directions, 1995)
  • Durling, Robert, ‘Deceit and Digestion in the Belly of Hell’, in Allegory and Representation, ed. by Stephen Greenblatt (Baltimore: Johns Hopkins University Press, 1980), pp. 61–93
  • Durling, Robert, and Ronald L. Martinez, Time and the Crystal: Studies in Dante’s ‘Rime Petrose’ (Berkeley: University of California Press, 1990)
  • Débussy, Claude, La Damoiselle élue: Poème lyrique d’après D.-G. Rossetti, trans. by Gabriel Sarrazin (Paris: Durand, 1906)
  • Eliade, Mircea, The Sacred and the Profane: The Nature of Religion (New York: Harper and Row 1959)
  • Eliot, Thomas S., ‘Possibility of a Poetic Drama’, in The Sacred Wood: Essays on Poetry and Criticism (London: Faber and Faber, 1997), pp. 50–59
  • Eliot, Thomas S., The Sacred Wood: Essays on Poetry and Criticism (London: Methuen, 1920)
  • Eliot, Thomas S., Selected Poems (London: Faber and Faber, 1975)
  • Eliot, Thomas S., ‘Ulysses: Order and Myth’, The Dial, 75 (1923), pp. 480–83
  • Eliot, Thomas S., The Waste Land, ed. by Michael North (New York: Norton, 2001)
  • Eliot, Thomas S., ‘What Dante Means to Me’, in To Criticize the Critic and Other Writings (New York: Farrar, Straus and Giroux, 1965)
  • Ellenberger, Henri F., The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry (New York: Basic Books, 1970)
  • Ellenzweig, Allen, The Homoerotic Photograph: Male Images from Durieu/Delacroix to Mapplethorpe (New York: Columbia University Press, 1992),
  • Ellis, Steve, The Cantos of Ezra Pound (London: Faber and Faber, 1975)
  • Ellis, Steve, Dante and English Poetry (Cambridge: Cambridge University Press, 1983)
  • Ellis, Steve, Virginia Woolf and the Victorians (Cambridge: Cambridge University Press, 2007) <https://doi.org/10.1017/CBO9780511484780>
  • Fauriel, Claude, Histoire de la poésie provençale, 3 vols (Paris: Labitte, 1846)
  • Ferrante, Joan M., The Political Vision of the ‘Divine Comedy’ (Princeton: Princeton University Press, 1984) <https://doi.org/10.1515/9781400853991>
  • Ferrer, Daniel, Virginia Woolf and the Madness of Language (London: Routledge, 1990)
  • Ferrini, Jean-Pierre, Dante et Beckett (Paris: Hermann, 2003)
  • Fles, John, ed., The Trembling Lamb (New York: Harry Gantt for the Phoenix Book Shop, 1959)
  • Fletcher, John, ‘Beckett’s Debt to Dante’, Nottingham French Studies, 4.1 (1965), pp. 41–52 <https://doi.org/10.3366/nfs.1965.005>
  • Folquet De Marselha, Le poesie, ed. by Paolo Squillacioti (Pisa: Pacini, 1999)
  • Fortini, Franco, Saggi italiani (Milan: Garzanti, 1987)
  • Fortuna, Sara, and Manuele Gragnolati, ‘ Attaccando al suo capezzolo le mie labbra ingorde: corpo, linguaggio e soggettività da Dante ad Aracoeli di Elsa Morante’, Nuova Corrente, 55 (2008), pp. 85–123
  • Fortuna, Sara, Manuele Gragnolati, ‘Between Affection and Discipline: Exploring Linguistic Tensions from Dante to Aracoeli’, in The Power of Disturbance: Elsa Morante’s ‘Aracoeli’, ed. by Manuele Gragnolati and Sara Fortuna (Oxford: Legenda, 2009), pp. 8–19 <https://doi.org/10.4324/9781315085531-2>
  • Fortuna, Sara, Manuele Gragnolati, ‘Dante after Wittgenstein: Aspetto, Language, and Subjectivity from Convivio to Paradiso’, in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati, and Jürgen Trabant (Oxford: Legenda, 2010), pp. 223–47
  • Fortuna, Sara, Manuele Gragnolati, and Jürgen Trabant, eds, Dante’s Plurilingualism: Authority, Knowledge, Subjectivity (Oxford: Legenda, 2010)
  • Fowlie, Wallace, ‘Dante and Beckett’, in Dante among the Moderns, ed. by Stuart Y. McDougal (Chapel Hill: University of North Carolina Press, 1985), pp. 128–52
  • Franchi, Stefano, ‘Endgames. Game and Play at the End of Philosophy’ (unpublished doctoral thesis, Stanford University, 1997)
  • Frasca, Gabriele, Cascando: Tre studi su Samuel Beckett (Naples: Liguori, 1988)
  • Freccero, John, Dante: The Poetics of Conversion (Harvard: Harvard University Press, 1986)
  • Freccero, John, ‘Mythos and Logos: The Moon and the Bonfires’, Italian Quarterly, 4.16 (Winter 1961), pp. 3–16
  • Freud, Sigmund, The Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. by James Strachey, 24 vols (London: Hogarth Press and Institute of Psycho-Analysis, 1953–74)
  • Frost, Robert, Conoscenza della notte e altre poesie, trans. by Giovanni Giudici (Turin: Einaudi, 1965)
  • Fugelso, Karl, ‘Robert Rauschenberg’s Inferno Illuminations’, Studies in Medievalism, 13 (2004), pp. 47–66
  • Gadda, Carlo Emilio, Acquainted with Grief, trans. by William Weaver (New York: G. Braziller, 1969)
  • Gadda, Carlo Emilio, ‘Per favore, mi lasci nell’ombra’: Interviste 1950–1972, ed. by Claudio Vela (Milan: Adelphi, 1993)
  • Gadda, Carlo Emilio, Romanzi e racconti, 2 vols (Milan: Garzanti, 1989)
  • Gadda, Carlo Emilio, Saggi giornali favole e altri scritti, ed. by Liliana Orlando, Clelia Martignoni, and Dante Isella, 2 vols (Milan: Garzanti, 1991)
  • Gadda, Carlo Emilio, Scritti vari e postumi, ed. by Andrea Silvestri et al. (Milan: Garzanti, 1993)
  • Gadda, Carlo Emilio, That Awful Mess on the Via Merulana, trans. by William Weaver (New York: Braziller, 2007)
  • Gardini, Nicola, ‘Considerazioni sullo stilnovismo novecentesco: Il modello della Vita nova’, Italianistica, 29.3 (2000), pp. 445–50
  • Gardini, Nicola, ed., Il senso del desiderio: Poesia gay dell’età moderna (Milan: Crocetti, 2001)
  • Genette, Gérard, Palimpseste: Die Literatur auf zweiter Stufe, trans. by Wolfram Bayer and Dieter Hornig (Frankfurt a.M.: Suhrkamp, 1993)
  • Gide, André, Les Cahiers et les Poésies d’André Walter avec des fragments inédits du Journal, ed. by Claude Martin (Paris: Gallimard, 1986)
  • Gide, André, Journal 1939–1949, Souvenirs (Paris: Gallimard, 1954)
  • Gilloch, Graeme, Myth and Metropolis: Walter Benjamin and the City (Cambridge: Cambridge University Press, 1994)
  • Ginzburg, Carlo, ‘Dante’s Blind Spot ( Inferno XVI-XVII)’, in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati, and Jürgen Trabant (Oxford: Legenda, 2010), pp. 150–63
  • Giovanardi, Stefano, ‘ La luna e i falò di Cesare Pavese’, in Letteratura italiana: Le Opere, 4 vols (Einaudi: Turin, 1996), iv/2, pp. 631–46
  • Girard, René, ‘To Double Business Bound’: Essays on Literature, Mimesis, and Anthropology (Baltimore: Johns Hopkins University Press, 1978)
  • Giudici, Giovanni, Il Paradiso: Perché mi vinse il lume d’esta stella. Satura drammatica (Milan: Costa e Nolan, 1991)
  • Goethe, Johann Wolfgang von, Werke, ed. by Heinrich Trunz, 14 vols (Munich: Deutscher Taschenbuch Verlag, 1981)
  • Goldoni, Annalisa, ‘Robert Duncan e Dante alle origini della lingua’, Testo e Senso, 3 (2000), pp. 145–60, available online at <http://www.testoesenso.it/magazine/index/3> [accessed 11 July 2010])
  • Gorni, Guglielmo, ‘Beatrice agli Inferi’, in Omaggio a Beatrice (1290–1990), ed. by Rudy Abardo (Florence: Le Lettere, 1998), pp. 143–58
  • Gorni, Guglielmo, ‘La Beatrice di Dante, dal tempo all’eterno’, in Dante Alighieri, Vita Nova, ed. by Luca Carlo Rossi (Milan: Mondadori 1999), pp. v-xl
  • Gourgouris, Stathis, Does Literature Think? Literature as Theory for an Antimythical Era (Stanford: Stanford University Press, 2003)
  • Gourmont, Rémy de, Dante, Béatrice et la poésie amoureuse (Paris: L’Herne, 1999)
  • Gragnolati, Manuele, ‘(In-)Corporeality, Language, Performance in Dante’s Vita Nuova and Commedia’ in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati, and Jürgen Trabant (Oxford: Legenda, 2010), pp. 211–22
  • Gragnolati, Manuele, ‘Authorship and Performance in Dante’s Vita nova’, in Aspects of the Performative in Medieval Culture, ed. by Manuele Gragnolati and Almut Suerbaum (Berlin: de Gruyter, 2010), pp. 125–41 <https://doi.org/10.1515/9783110222470>
  • Gragnolati, Manuele, Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture (Notre Dame: Notre Dame University Press, 2005)
  • Gragnolati, Manuele, ‘Gluttony and the Anthropology of Pain in Dante’s Inferno and Purgatorio’, in History in the Comic Mode: Medieval Communities and the Matter of Person, ed. by Rachel Fulton and Bruce Holsinger (New York: Columbia University Press, 2007), pp. 238–50 <https://doi.org/10.7312/fult13368-022>
  • Gragnolati, Manuele, ‘ Inferno V’, in Lectura Dantis Bononiensis, ed. by Emilio Pasquini (Bologna: Accademia delle Scienze), forthcoming
  • Gragnolati, Manuele, ‘Nostalgia in Heaven: Embraces, Affection and Identity in Dante’s Comedy’, in Dante and the Human Body, ed. by John Barnes and Jennifer Petrie (Dublin: Four Courts Press, 2007), pp. 91–111
  • Gragnolati, Manuele, ‘Lo scrittore, l’amore e la morte: Per una lettura leopardiana dei Dialoghi con Leucò’, Testo, 52 (2006), pp. 59–75
  • Gragnolati, Manuele, and Sara Fortuna, eds, The Power of Disturbance: Elsa Morante’s ‘Aracoeli’ (Oxford: Legenda, 2009)
  • Grazzini, Filippo, ‘Esperienze di lettori novecenteschi d’eccezione: Montale e Pasolini davanti a Dante’, in ‘Per correr miglior acque ...’: Bilanci e prospettive degli studi danteschi alle soglie del nuovo millennio, Atti del Convegno internazionale di Verona-Ravenna 25–29 ottobre 1999, 2 vols (Rome: Salerno, 2001), ii, pp. 899–915
  • Grimm, Gunther E., Rezeptionsgeschichte: Grundlegung einer Theorie mit Analysen und Bibliographie (Munich: Finck, 1977)
  • Gronda, Giovanna, ‘ Un posto di vacanza: iuxta propria principia’, in Tradizione traduzione società: saggio per Franco Fortini, ed. by Romano Luperini (Rome: Edizioni Riuniti, 1989), pp. 177–203
  • Gumbrecht, Hans Ulrich, The Powers of Philology: Dynamics of Textual Scholarship (Urbana: University of Illinois Press, 2003)
  • Harrison, Elizabeth, The Vision of Dante: A Story for Little Children and a Talk to Their Mothers (Chicago: Chicago Kindergarten College, 1892)
  • Harris, William J., ed., The LeRoi Jones/Amiri Baraka Reader (New York: Thunder’s Mouth Press, 1991)
  • Harvey, Lawrence E., Samuel Beckett, Poet and Critic (Princeton: Princeton University Press, 1970) <https://doi.org/10.1515/9780691196787>
  • Havely, Nick, Dante (Oxford: Blackwell, 2007) <https://doi.org/10.1002/9780470690123>
  • Havely, Nick, Dante and the Franciscans: Poverty and the Papacy in the ‘Commedia’ (Cambridge: Cambridge University Press, 2004)
  • Havely, Nick, ed., Dante’s Modern Afterlife: Reception and Response from Blake to Heaney (Basingstoke: Macmillan, 1998) <https://doi.org/10.1007/978-1-349-26975-4>
  • Hawkins, Peter S., Dante: A Brief History (Oxford: Blackwell, 2006)
  • Hawkins, Peter S., ‘Dante and the Bible’, in The Cambridge Companion to Dante, ed. by Rachel Jacoff, 2nd edn (Cambridge: Cambridge University Press, 2007), pp. 125–140 <https://doi.org/10.1017/CCOL0521844304.008>
  • Hawkins, Peter S., ‘Moderno Uso’, in Dante’s Paradiso, illustrated by Sandow Birk, text adapted by Sandow Birk and Marcus Sanders (San Francisco: Chronicle Books, 2005), pp. vi–xiv
  • Hawkins, Peter S., ‘Still Here: Dante After Modernism’, in Dante for the New Millenium, ed. by Teodolinda Barolini and Wayne Storey (New York: Fordham University Press, 2003), pp. 451–64
  • Hawkins, Peter S., and Rachel Jacoff, eds., The Poets’ Dante: Twentieth Century Reflections (New York: Farrar, Straus and Giroux, 2001)
  • Haywood, Eric C., ed., Dante Metamorphoses. Episodes in a Literary Afterlife (Dublin: Four Courts Press, 2003)
  • Heaney, Seamus, ‘Envies and Identifications: Dante and the Modern Poet’, Irish University Review: A Journal of Irish Studies, 15.1 (1985), pp. 5–19
  • Heaney, Seamus, Preoccupations (London: Faber and Faber, 1980)
  • Heftrich, Eckhard, ‘“Doktor Faustus”: Die radikale Autobiographie’, in Thomas Mann 1875–1975, ed. by Beatrix Bludau (Frankfurt a.M.: Fischer, 1977), pp. 135–54
  • Henry, Holly, Virginia Woolf and the Discourse of Science: the Aesthetics of Astronomy (Cambridge: Cambridge University Press, 2003)
  • Herzman, Ronald B., ‘Dante and the Apocalypse’, in The Apocalypse in the Middle Ages, ed. by Richard K. Emmerson and Bernard McGinn (Ithaca: Cornell University Press, 1992), pp. 398–413
  • Hill, Herbert, Soon One Morning: New Writing by American Negroes, 19401962 (New York: Knopf, 1963).
  • Hoff, Molly, Virginia Woolf’s Mrs. Dalloway: Invisible Presences (Clemson: Clemson Digital Press, 2009)
  • Holzhey, Christoph, ed., Tension/Spannung (Vienna: Turia + Kant, 2010)
  • Honess, Claire, From Florence to the Heavenly City: The Poetry of Citizenship in Dante (Oxford: Legenda, 2006)
  • Howard, Douglas L., ‘Mrs. Dalloway: Virginia Woolf’s Redemptive Cycle’, Literature and Theology, 12 (1998), pp. 149–58 <https://doi.org/10.1093/litthe/12.2.149>
  • Hudson, Theodore R., From LeRoi Jones to Amiri Baraka: The Literary Works (Durham, N.C.: Duke University Press, 1973)
  • Hunter, Sam, Robert Rauschenberg: Works, Writings and Interviews (Barcelona: Ediciones Polígrafa, 2006)
  • Hölter, Eva, ‘Der Dichter der Hölle und des Exils’: Historische und systematische Profile der deutschsprachigen Dante-Rezeption (Würzburg: Königshausen and Neumann, 2002)
  • Iannucci, Amilcare, ‘Dante: Poeta o Profeta’, in ‘Per correr miglior acque …’ Bilanci e prospettive degli studi danteschi alle soglie del nuovo millennio, 2 vols (Rome: Salerno, 2001), i, pp. 93–114
  • Iannucci, Amilcare, ‘Dante and Hollywood’, in Dante, Cinema, and Television, ed. by Amilcare Iannucci (Toronto: University of Toronto Press, 2004), pp. 3–20 <https://doi.org/10.3138/9781442673700-003>
  • Iannucci, Amilcare, ‘Firenze, città infernale’, in Dante da Firenze all’aldilà, ed. by Michelangelo Picone (Florence: Cesati, 2001), pp. 217–32
  • Iser, Wolfgang, ‘What is Literary Anthropology? The Difference between Explanatory and Exploratory Fictions’, in Revenge of the Aesthetic: The Place of Literature in Theory Today, ed. by Michael P. Clark (Berkeley: University of California Press, 2000), pp. 157–69
  • Jackson, Earl Jr., Strategies of Deviance: Studies in Gay Male Representation (Bloomington: Indiana University Press, 1995)
  • Jacoff, Rachel, ‘Dante, Geremia e la problematica profetica’, in Dante e la Bibbia (Florence: Olschki, 1988), 113–23
  • Jacoff, Rachel, ed., The Cambridge Companion to Dante, 2nd edn (Cambridge: Cambridge University Press, 2007) <https://doi.org/10.1017/CCOL0521844304>
  • Jakobson, Roman, ‘Two Aspects of Language and Two Types of Aphasic Disturbances,’ in Fundamentals of Language (The Hague: Mouton, 1971), pp. 69–96.
  • Jarman, Derek, Dancing Ledge (Woodstock, NY: Overlook, 1993)
  • Jarman, Derek, Modern Nature: The Journals of Derek Jarman (1989–90) (London: Vintage, 1992)
  • Jarman, Derek, Queer Edward II (London: British Film Institute, 1991)
  • Jarman, Derek, Smiling in Slow Motion (London: Vintage, 2001)
  • Jones, LeRoi, ‘A Dark Bag’, Poetry, 103.6 (March 1964), pp. 394–401.
  • Jones, LeRoi, The Moderns: An Anthology of New Writing in America (New York: Corinth Books, 1963)
  • Jones, LeRoi, The System of Dante’s Hell (New York: Grove Press, 1965)
  • Joyce, James, Finnegans Wake, 3rd edn (London: Faber and Faber, 1964)
  • Joyce, James, Letters of James Joyce, ed. by Stuart Gilbert, Richard Ellmann, 3 vols (New York: Viking, 1966)
  • Joyce, James, A Portrait of the Artist as a Young Man, ed. by Seamus Deane (London: Penguin, 1992)
  • Joyce, James, Ulysses, ed. by Jeri Johnson (Oxford: Oxford University Press, 1993)
  • Joyce, Stanislaus, ‘The Background to Dubliners’, The Listener, 25 March 1954, pp. 526–27
  • Kafka, Franz, Quaderni in ottavo, ed. by Italo Chiusano (Milan: SE, 2002)
  • Kay, Tristan, ‘Dante’s Ambivalence towards the Lustful’, in Dante and the Seven Deadly Sins, ed. by John C. Barnes (Dublin: Four Courts Press, forthcoming)
  • Kay, Tristan, ‘Redefining the “matera amorosa”: Dante’s Vita nova and Guittone’s anti-courtly “canzoniere”’, The Italianist, 29 (2009), pp. 369–99 <https://doi.org/10.1179/026143409X12584559181732>
  • Keen, Catherine, Dante and the City (Stroud: Tempus, 2003)
  • Kibler, Louis, ‘Patterns of Time in Pavese’s La luna e i falò’, Forum Italicum, 12 (1978), pp. 339–50 <https://doi.org/10.1177/001458587801200303>
  • Klonsky, Milton, Blake’s Dante: The Complete Illustrations to the Divine Comedy (New York: Harmony, 1980)
  • Koch, Theodore W., ‘Dante in America: A Historical and Bibliographical Study’, Dante Studies, 118 (2000), pp. 7–56
  • Koeppen, Wolfgang, Gesammelte Werke, ed. by Marcel Reich-Ranicki, 6 vols (Frankfurt a.M.: Suhrkamp, 1986)
  • Koestenbaum, Wayne, Double Talk: The Erotic of Male Literary Collaboration (London: Routledge, 1989)
  • Krauss, Rosalind, ‘Rauschenberg and the Materialized Image’, Artforum, 13.4 (December 1974), pp. 36–43, repr. in Robert Rauschenberg, ed. by Branden W. Joseph (Cambridge, MA: MIT Press, 2002), pp. 39-56
  • Kristeva, Julia, Soleil noir: Dépression et mélancolie (Paris: Gallimard, 1987); in English as Black Sun: Depression and Melancholia, trans. by Leon S. Roudiez (New York: Columbia University Press, 1989)
  • Kuon, Peter, ‘Metamorphose — ein literaturwissenschaftliches Konzept?’, in Metamorphosen/Metamorfosi: Akten der 6. Jahrestagung des Deutschen Italianistenverbandes DIV — Fachverband Italienisch in Wissenschaft und Unterricht. Dresden 8.–10. November 2001, ed. by Peter Kuon and Barbara Marx (Frankfurt a.M.: Peter Lang, 2005), pp. 1–27
  • Kuon, Peter, Lo mio maestro e ’l mio autore. Die produktive Rezeption der ‘Divina Commedia’ in der Erzählliteratur der Moderne (Frankfurt a.M.: Klostermann, 1993)
  • La Brasca, Francesco, ‘“Solenni vindicie”: Pierre-Louis Ginguené historien de la littérature médiévale italienne’, in Ginguené, 1748–1816, idéologue et médiateur, ed. by Edouard Guitton (Rennes: Presses Universitaires de Rennes, 1995), pp. 153–73 <https://doi.org/10.4000/books.pur.35901>
  • Lacan, Jacques, Le Séminaire livre VII: L’éthique de la psychanalyse, ed. by Jacques-Alain Miller (Paris: Seuil, 1986); in English as The Seminar Book VII: The Ethics of Psychoanalysis, 1959-60, trans. by Dennis Porter (London: Routledge, 1992)
  • Lacan, Jacques, Le Séminaire livre XI: Les quatre concepts fondamentaux de la psychanalyse, ed. by Jacques-Alain Miller (Paris: Seuil, 1973)
  • Lacan, Jacques, Le Séminaire livre XX: Encore, ed. by Jacques-Alain Miller (Paris: Seuil, 1975)
  • Lacan, Jacques, ‘Subversion du sujet et dialectique du désir dans l’inconscient freudien’, in Écrits II (Paris: Seuil, 1971), pp. 273–308
  • Lacan, Jacques, ‘The Youth of Gide, or the Letter and Desire’, in Écrits, trans. by Bruce Fink, Héloïse Fink, and Russell Grigg (New York: Norton, 2006), pp. 623–44
  • La Curne de Sainte Palaye, Jean-Baptiste, Histoire littéraire des troubadours (Geneva: Slatkine, 1967)
  • Lajolo, Davide, ‘Il vizio assurdo’: Storia di Cesare Pavese (Milan: Il Saggiatore, 1960)
  • Lakoff, George and Mark Johnson, Metaphors We Live By (Chicago: University of Chicago Press, 1980)
  • Lampart, Fabian, ‘Dante’s Reception in German Literature: a Question of Performance?’, in Aspects of the Performative in Medieval Culture, ed. by Manuele Gragnolati and Almut Suerbaum (Berlin: de Gruyter, 2010), pp. 277–98 <https://doi.org/10.1515/9783110222470.3.277>
  • La Piana, Angelina, Dante’s American Pilgrimage: A Historical Survey of Dante Studies in the United States, 1800–1944 (New Haven: Yale University Press for Wellesley College, 1948)
  • Laurencin, Hervé Joubert, ‘Pasolini–Barthes: engagement et suspension de sens’, Studi Pasoliniani, 1 (2007), pp. 55–67
  • Lee, Hermione, Virginia Woolf (London: Vintage, 1997)
  • Lemke, Anja, ‘Berliner Kindheit um 1900’, in Benjamin Handbuch: Leben–Werk–Wirkung, ed. by Burkhardt Lindner (Stuttgart: Metzler, 2006), pp. 653–62
  • Lewis, C.S., The Allegory of Love: A Study in Medieval Tradition (Oxford: Oxford University Press, 1936)
  • Lindholm, Charles, and John A. Hall, ‘Frank Capra Meets John Doe: Anti-Politics in American National Identity’, in Cinema and Nation, ed. by Mette Hjort and Scott MacKenzie (London: Routledge, 2000), pp. 32–44
  • Lindner, Burkhardt, ‘Sprachphilosophie, literarisches und autobiographisches Schreiben’, in Benjamin Handbuch. Leben – Werk – Wirkung, ed. by Burkhardt Lindner (Stuttgart: Metzler, 2006), pp. 585–680
  • Lombardi, Elena, The Syntax of Desire: Language and Love in Augustine, the Modistae, Dante (Toronto: University of Toronto Press, 2007)
  • Looney, Dennis, ‘“Flame-coloured Letters and Bugaboo Phraseology”: Hiram Powers, Frances Trollope and Dante in Frontier Cincinnati’, in Hiram Powers a Firenze: Atti del Convegno di studi nel Binario della nascita (1805–2005), ed. by Caterina del Vivo (Florence: Olschki, 2007), pp. 135–52
  • Lucas, Ian, Outrage!: An Oral History (London: Cassell, 1998)
  • Luft, Herbert G., ‘Rudolph Maté’, Films in Review, 15.8 (1964), pp. 480–90
  • Luzi, Mario, Teatro (Milan: Garzanti, 1993)
  • MacCabe, Colin, ‘Realism and the Cinema: Notes on Some Brechtian Theses’, in Theoretical Essays: Film, Linguistics, Literature (Manchester: Manchester University Press, 1985), pp. 33–57
  • MacGregor, , Stories from Dante, Told to the Children (London: T.C. and E.C.. Jack, 1909; repr. New York: Indypublish.com, 2008)
  • Machado, Manuel y Antonio, Obras completas (Madrid: Editorial Biblioteca Nueva, 1994)
  • Maltby, Richard, Hollywood Cinema, 2nd edn (Malden, MA: Blackwell, 2003)
  • Mancini, Mario, La gaia scienza dei trovatori (Parma: Pratiche, 1984)
  • Mandelstam, Osip, Conversation About Dante, in The Poets’ Dante, ed. by Peter S. Hawkins and Peter and Rachel Jacoff (New York: Farrar, Straus and Giroux, 2001), pp. 40–93
  • Mango, Lorenzo, Teatro di poesia: Saggio su Federico Tiezzi (Rome: Bulzoni, 1994)
  • Mann, Thomas, Briefe 1948–1955 und Nachlese, ed. by Erika Mann (Frankfurt a.M.: Fischer, 1965)
  • Mann, Thomas, Große kommentierte Frankfurter Ausgabe, ed. by Heinrich Detering et al. (Frankfurt a.M.: Fischer, 2002– )
  • Mann, Thomas, Tagebücher, ed. by Peter de Mendelssohn and Inge Jens, 10 vols (Frankfurt a.M.: Fischer, 1979–1995)
  • Marchesini, Manuela, ‘Between Collodi’s Ringmaster and Manzoni’s Capocomico: Antihumanism or the Circus of Life in Carmelo Bene’s Pinocchio’, in Approaches to Teaching Collodi’s Pinocchio and Its Adaptations, ed. by Michael Sherberg (New York: MLA Books, 2006), pp. 136–43
  • Marchesini, Manuela, ‘Beyond Pasolini and Calvino: Exordium and Closure in Carlo Emilio Gadda’s Impure Literature’, Nuova rivista di letteratura italiana, 9.1 (2006), pp. 111–27
  • Marchesini, Manuela, ‘L’elica e il sistema: I miti del somaro di Carlo Emilio Gadda’, Italica, 74.2 (1997), pp. 235–48 <https://doi.org/10.2307/480079>
  • Marchesini, Manuela, ‘Literature as the Experience of Boundary Crossing: Gadda’s Descent to Hell and the Solution to That Awful Mess of Via Merulana’, MLN, 119.1 (2004), pp. 109–34 <https://doi.org/10.1353/mln.2004.0065>
  • Marchesini, Manuela, Scrittori in funzione d’altro Longhi, Contini, Gadda (Modena: Mucchi, 2005)
  • Martina, Guido, and Angelo Bioletto, Topolino, 2.7 (October 1949), L’inferno di Topolino; English version as ‘Mickey’s Inferno’, Walt Disney’s Comics and Stories, no. 666 (March 2006)
  • Mazzotta, Giuseppe, ‘Reflections on Dante Studies in America’, Dante Studies, 118 (2000), pp. 323–30
  • Melchiori, Giorgio, The Whole Mystery of Art (London: Routledge, 1960)
  • Melville, Herman, ‘Billy Budd, Sailor’ and Other Stories, ed. by A. Robert Lee (London: Everyman, 1993)
  • Mengaldo, Pier Vincenzo, Il Novecento (Bologna: Il Mulino, 1994)
  • Mengaldo, Pier Vincenzo, La tradizione del Novecento: nuova serie (Florence: Vallecchi, 1987)
  • Meredith, Sean (director), Dante’s Inferno, film produced by Paul Zaloom and Sandow Birk, art directed by Elyse Pignolet, 2007
  • Merrill, James, The Changing Light at Sandover (New York: Athenaeum, 1982)
  • Merte-Rankin, Angela, ‘Creating the Map of Life: Imagining Spaces in Walter Benjamin’s Berlin Portraits’, in Imagining Space: Negotiating Cross Discipline Terrains, ed. by Sabine Strümper-Krobb and Kathleen James-Chakraborty (New York: Peter Lang, forthcoming)
  • Milbank, Alison, Dante and the Victorians (Manchester: Manchester University Press, 1998)
  • Miller, James, ‘Christian Aerobics: the Afterlife of Ecclesia’s Moralized Motions’, in Acting on the Past: Historical Performances Across the Disciplines, ed. by Mark Franko and Annette Richards (Hanover, MD: Wesleyan University Press, 2000), pp. 201–37
  • Mineo, Nicolò, Profetismo e apocalittica in Dante: struttura e temi profetico-apocalittici in Dante: dalla ‘Vita nuova’ alla ‘Divina commedia’ (Catania: Pubblicazioni della Facoltà di Lettere e Filosofia, 1968)
  • Moevs, Christian, The Metaphysics of Dante’s ‘Comedy’ (Oxford: Oxford University Press, 2005) <https://doi.org/10.1093/0195174615.001.0001>
  • Moloney, Brian, ‘Ontology and history in La luna e i falò’, in Onde di questo mare: Reconsidering Pavese, ed. by Rossella Riccobono and Doug Thompson (Leicester: Troubador, 2002), pp. 111–20
  • Montale, Eugenio, Collected Poems: 1920–1954, ed. by Jonathan Galassi (New York: Farrar, Straus and Giroux, 1998)
  • Montale, Eugenio, Lettere a Clizia ed. by Rosanna Bettarini, Gloria Manghetti and Franco Zabagli (Milan: Mondadori, 2006)
  • Montale, Eugenio, L’opera in versi, ed. by Gianfranco Contini and Rosanna Bettarini (Milan: Einaudi, 1980)
  • Montale, Eugenio, Sulla poesia, ed. by Giorgio Zampa (Milan: Mondadori, 1966)
  • Moretti, Franco, Opere Mondo (Turin: Einaudi, 1994); in English as Modern Epic: The World-Systems from Goethe to Garcia Marquez (London: Verso, 1996)
  • Moréas, Jean, Les Premières armes du symbolisme (Paris: Léon Vanier, 1889)
  • Muray, Philippe, Le XIXe siècle à travers les âges (Paris: Gallimard, 1984)
  • Mutterle, Amo Marzio, I fioretti del diavolo: Nuovi studi su Cesare Pavese (Turin: Edizioni dell’Ordo, 2003)
  • Najemy, John M., ‘Dante and Florence’, in The Cambridge Companion to Dante, ed. by Rachel Jacoff, 2nd edn (Cambridge: Cambridge University Press, 2007), pp. 236–56 <https://doi.org/10.1017/CCOL0521844304.014>
  • Nardi, Bruno, Dante e la cultura medievale, 2nd ed (Bari: Laterza, 1949)
  • Noferi, Adelia, ‘Dante e il Novecento’, Studi danteschi, 48 (1971), pp. 185–209
  • Noventa, Giacomo, Versi e poesie (Milan: Mondadori, 1960)
  • Nussbaum, Martha C., Cultivating Humanity: a Classical Defense of Reform in Liberal Education (Cambridge, MA: Harvard University Press, 1997) <https://doi.org/10.2307/j.ctvjghth8>
  • Nussbaum, Martha C., Upheavals of Thought: the Intelligence of Emotions (Cambridge: Cambridge University Press, 2001) <https://doi.org/10.1017/CBO9780511840715>
  • Oates, Joyce Carol, ‘Kafka’s Paradise’, Hudson Review 26.4 (Winter 1973–74), pp. 623–46 <https://doi.org/10.2307/3850672>
  • Parussa, Sergio, Writing as Freedom, Writing as Testimony: Four Italian Writers and Judaism (Syracuse, NY: Syracuse University Press, 2008)
  • Pasolini, Pier Paolo, Cinema in forma di poesia, ed. by Luciano De Giusti (Pordenone: Cinemazero, 1979)
  • Pasolini, Pier Paolo, I film degli altri, ed. by Tullio Kezich (Parma: Guanda, 1996)
  • Pasolini, Pier Paolo, Lettere 1940–1954 (Turin: Einaudi, 1986)
  • Pasolini, Pier Paolo, Lettere 1955–1975 (Turin: Einaudi, 1988)
  • Pasolini, Pier Paolo, Passione e ideologia (Milan: Garzanti, 1973)
  • Pasolini, Pier Paolo, Romanzi e racconti, ed. by Walter Siti and Silvia De Laude, 2 vols (Milan: Mondadori, 1998)
  • Pasolini, Pier Paolo, Saggi sulla letteratura e sull’arte, ed. by Walter Siti and Silvia De Laude, 2 vols (Milan: Mondadori, 1999)
  • Pasolini, Pier Paolo, Saggi sulla politica e sulla società, ed. by Walter Siti and Silvia De Laude (Milan: Mondadori, 1999)
  • Pasolini, Pier Paolo, Tutte le poesie, ed. by Graziella Chiarcossi and Walter Siti, 2 vols (Milan: Mondadori, 2003)
  • Passerini, Luisa, L’Europa e l’amore: Immaginario e politica fra le due guerre (Milan: Il Saggiatore, 1999)
  • Pavel, Thomas G., Fictional Worlds (Cambridge, MA: Harvard University Press, 1986)
  • Pavel, Thomas G., The Spell of Language: Poststructuralism and Speculation (Chicago: University of Chicago Press, 2001)
  • Pavese, Cesare, La luna e i falò, with an introduction by Gian Luigi Beccaria (Turin: Einaudi, 2005)
  • Pavese, Cesare, Lettere 1945–1950, ed. by Italo Calvino (Turin: Einaudi, 1966)
  • Pavese, Cesare, Il mestiere di vivere 1935–1950, ed. by Marziano Guglielminetti and Laura Nay (Turin: Einaudi, 1990)
  • Peake, Tony, Derek Jarman: A Biography (Woodstock, NY: Overlook, 2000)
  • Pedriali, Federica G., La farmacia degli incurabili: Da Collodi a Calvino (Ravenna: Longo, 2006)
  • Pellini, Pierluigi, ‘Brevi note su Dante nella poesia del Novecento italiano con una lettura sereniana’, in Le toppe della poesia: Saggi su Montale, Sereni, Fortini, Orelli (Rome: Vecchiarelli, 1994), pp. 171–99
  • Pertile, Lino, La puttana e il gigante. Dal cantico dei Cantici al Paradiso Terrestre di Dante (Ravenna: Longo, 1998)
  • Pertile, Lino, ‘Trasmutabile per tutte guise: Dante in the Comedy’, in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati, and Jürgen Trabant (Oxford: Legenda, 2010), pp. 164–78
  • Petrarca, Francesco, Canzoniere, ed. by Gianfranco Contini (Turin: Einaudi, 1992)
  • Pfitzner, Hans, Palestrina: Musikalische Legende in drei Akten (Berlin: Adolph Fürstner, 1916)
  • Phillips, Carl, Cortège (Saint Paul, MN: Graywoolf Press, 1995)
  • Pike, David L., Passage through Hell: Modernist Descents, Medieval Underworlds (Ithaca: Cornell University Press, 1997) <https://doi.org/10.7591/9781501729478>
  • Pite, Ralf, ‘What can we learn from a video game based on Dante’s Inferno?’, The Guardian, 3 February 2010, available online at < http://www.guardian.co.uk/books/2010/feb/03/videogame-dantes-inferno > [accessed 6 February 2010]
  • Porro, Mario, Letteratura come filosofia naturale (Milan: Medusa, 2009)
  • Pound, Ezra, The Cantos (London: Faber and Faber, 1964)
  • Pound, Ezra, Collected Early Poems of Ezra Pound, ed. by Michael King (New York: New Directions, 1982)
  • Pound, Ezra, ‘Hell’, in Literary Essays, ed. by T.S. Eliot (London: Faber and Faber, 1954), pp. 201–13
  • Pound, Ezra, I Cantos, ed. by Mary de Raquewiltz (Milan: Mondadori, 1989)
  • Pouzoulet, Christine, ‘Pour une renaissance politique et littéraire de l’Italie: enjeux du modèle de Dante chez Madame de Staël et Sismondi’, in Le Groupe de Coppet et l’Europe 1789–1830, ed. by Kurt Kloocke (Lausanne: Jean Touzot, 1994), pp. 291-307
  • Pressburger, Giorgio, Nel regno oscuro (Milan: Bompiani, 2008)
  • Prono, Franco, ‘La Divina commedia in teatro e in video’ , in Dialoghi con Dante: Riscritture e ricodificazioni della ‘Commedia’, ed. by Erminia Ardissino and Sabrina Stroppa Tomasi (Rome: Edizioni di Storia e Letteratura, 2007), pp. 107–13
  • Prudente, Teresa, ‘ The Damned Egotistical Self: Self and Impersonality in Virginia Woolf’s and James Joyce’s Writing’, in Joyce in Progress. Proceedings from the First James Joyce Graduate Conference, ed. by Franca Ruggieri, John McCourt, and Enrico Terrinoni (Newcastle: Cambridge Scholars Press, 2009), pp. 186–95
  • Prudente, Teresa, A Specially Tender Piece of Eternity: Virginia Woolf and the Experience of Time (Lanham: Lexington Books, 2009)
  • Raimondi, Ezio, Barocco moderno: Carlo Emilio Gadda e Roberto Longhi (Milan: Mondadori, 2003)
  • Raimondi, Ezio, Il romanzo senza idillio: saggio sui Promessi sposi (Turin: Einaudi, 1974)
  • Ramat, Silvio, ‘Il Novecento e una traccia dantesca’, Forum italicum, 4.3 (1970), pp. 311–30 <https://doi.org/10.1177/001458587000400301>
  • Raynouard, François, Choix des poésies originales des troubadours, 6 vols (Osnabrück: Biblio-Verlag, 1966)
  • Rayside, David, On the Fringe: Gays and Lesbians in Politics (Ithaca: Cornell University Press, 1998) <https://doi.org/10.7591/9781501729638>
  • Reeves, Marjorie, The World of Dante: Essays on Dante and His Times (Oxford: Clarendon Press, 1980)
  • Reilly, Charlie, Conversations with Amiri Baraka (Jackson, Miss.: University of Mississippi Press, 1994)
  • Reynolds, Mary T., Joyce and Dante: The Shaping Imagination (Princeton: Princeton University Press, 1981) <https://doi.org/10.1515/9781400856602>
  • Ricciardi, Alessia, The Ends of Mourning: Psychoanalysis, Literature, Film (Stanford: Stanford University Press, 2003)
  • Rich, Ruby, ‘The New Queer Cinema’, in Queer Cinema: The Film Reader, ed. by Harry Benshoff and Sean Griffin (New York: Routledge, 2004)
  • Ricks, Christopher, Beckett’s Dying Words (Oxford: Oxford University Press, 1993)
  • Ricœur, Paul, La métaphore vive (Paris: Seuil, 1975) <https://doi.org/10.1111/j.1748-0922.1976.tb00004.x>
  • Rizzo, Gino, ‘Zanzotto, “fabbro del parlar materno”’, in The Selected Poetry of Andrea Zanzotto, ed. and trans. by Ruth Feldman and Brian Swann (Princeton: Princeton University Press, 1975), pp. 307–27 <https://doi.org/10.1515/9781400871926>
  • Robinson, Michael, ‘From Purgatory to Inferno: Beckett and Dante Revisited’, Journal of Beckett Studies, 5 (1979), pp. 69–82
  • Romanelli, Giovanna, ‘Pavese e l’altrove impossibile’, in Ritorno all’uomo: Saggi internazionali di critica pavesiana, ed. by Antonio Catalfamo (Santo Stefano Belbo: I Quaderni del Centro Pavesiano, 2001), pp. 67–85.
  • Rorty, Richard, ‘Redemption from Egotism: James and Proust as Spiritual Exercises’, Telos, 3 (2001), pp. 243–63
  • Roscioni, Giancarlo, Il duca di sant’Aquila: infanzia e giovinezza di Gadda (Milan: Mondadori, 1997)
  • Rose, Barbara, Rauschenberg (New York: Vintage Books, 1987)
  • Rossetti, Dante Gabriel, Collected Works, ed. by William Michael Rossetti, 2 vols (London: Ellis and Scrutton, 1886)
  • Rossetti, Dante Gabriel, La Maison de Vie, trans. by Clémence Couve (Paris: Alphonse Lemerre, 1887)
  • Rougemont, Denis de, L’Amour et l’Occident (Paris: Plon, 2001)
  • Saccà, Analisa, ‘Pavese al femminile: Alcune considerazioni sulla donna nella vita e nelle opere di Cesare Pavese’, in Un viaggio mitico: Pavese ‘intertestuale’. Alla ricerca di se stesso e dell’eticità della storia, ed. by Antonio Catalfamo (Santo Stefano Belbo: I Quaderni del Centro Pavesiano, 2006), pp. 157–75
  • Said, Edward W., Culture and Imperialism (London: Vintage, 1993)
  • Said, Edward W., Humanism and Democratic Criticism (New York: Columbia University Press, 2004)
  • Salvadori Lonergan, Corinna, ‘“E quindi uscimmo a riveder le stelle” — But There Are No Stars: Dante in Beckett’s Endgame’, Journal of Anglo-Italian Studies, 5 (1997), pp. 277–91
  • Sanguineti, Edoardo, Commedia dell’Inferno (Milan: Costa e Nolan, 1989)
  • Santner, Eric, The Creaturely Life: Rilke, Benjamin, Sebald (Chicago: University of Chicago Press, 2006) <https://doi.org/10.7208/chicago/9780226735054.001.0001>
  • Sbacchi, Diego, La presenza di Dionigi Aeropagita nel ‘Paradiso’ di Dante (Florence: Olschki, 2006)
  • Schlegel, August Wilhelm, Observations sur la langue et la littérature provençale (Paris: Librairie Grecque-Latine-Allemande, 1818)
  • Schlegel, Friedrich, Philosophical Fragments, trans. by Peter Firchow (Minneapolis: University of Minnesota Press, 1991)
  • Schlumberger, Jean, Madeleine et André Gide (Paris: Gallimard, 1956)
  • Schnackenberg, Gjertrud, A Gilded Lapse of Time (New York: Farrar, Straus and Giroux, 1992)
  • Schnapp, Jeffrey T., ‘Dante’s Sexual Solecisms: Gender and Genre in the Commedia’, in The New Medievalism, ed. by Kevin Brownlee, Marina Brownlee, and Stephen Nichols (Baltimore: Johns Hopkins University Press, 1991), pp. 201–25
  • Scholem, Gershom, Tagebücher, nebst Aufsätzen und Entwürfen bis 1923, ed. by Karlfried Gründer et al., 2 vols (Frankfurt a.M.: Jüdischer Verlag, 2000)
  • Schweppenhäuser, Hermann, ‘Infernalische Aspekte der Moderne: Anthropo-theologische Elemente in Benjamin’s Geschichtsbegriff’, in Ein Physiognom der Dinge: Aspekte des Benjaminschen Denkens, ed. by Hermann Schweppenhäuser (Lüneburg: Zu Klampen, 1992), pp. 153–70.
  • Scorrano, Luigi, Il Dante ‘fascista’: Saggi, letture, note dantesche (Ravenna: Longo, 2001) <https://doi.org/10.1515/dante-2000-0105>
  • Scorrano, Luigi, ‘Dantismo trasversale di Vittorio Sereni’, Alighieri: Rassegna Bibliografica Dantesca, n.s., 40.14 (July–December 1999), 41–76
  • Sebald, W. S., Vertigo, trans. by Michael Hulse (New York: New Directions, 1999)
  • Seckler, Dorothy Gees, ‘The Artist Speaks: Robert Rauschenberg’, Art in America, 54.3 (May–June 1966), pp. 73–85
  • Sereni, Vittorio, Poesie, ed. by Dante Isella, 4th edn (Milan: Mondadori, 2000)
  • Sereni, Vittorio, Un posto di vacanza (Milan: Scheiwiller, 1973)
  • Silverman, Kaja, ‘The Dream of the Nineteenth Century’, Camera Obscura 51/17.3 (2002), pp. 1–29 <https://doi.org/10.1215/02705346-17-3_51-1>
  • Sinclair, John D., ed. and trans., Dante’s Inferno (New York: Oxford University Press, 1939; rpt. 1961)
  • Singleton, Charles Southward, An Essay on the ‘Vita nuova’ (Cambridge, MA.: Harvard University Press, 1958)
  • Sismondi, Jean Charles Sismonde de, De la littérature du Midi de l’Europe (Paris: Treuttel et Wuertz, 1813)
  • Solnit, Rebecca, ‘Check out the Parking Lot’, London Review of Books, 8 July 2004, available online at <http://www.lrb.co.uk/v26/n13/soln01_.html> [accessed 23 May 2010]
  • Southerden, Francesca, ‘Lost for Words: Recuperating Melancholy Subjectivity in Dante’s Eden’, in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, ed. by Sara Fortuna, Manuele Gragnolati, and Jürgen Trabant (Oxford: Legenda, 2010), pp. 193–210
  • Spackman, Barbara, Fascist Virilities: Rhetoric, Ideology, and Social Fantasy in Italy (Minneapolis: University of Minnesota Press, 1996)
  • Sperber, Alice, ‘Von Dantes unbewußtem Seelenleben. Erinnerungen und Eindrücke aus seiner Kinderzeit’, Imago, 3.33 (1914), pp. 205–49
  • Squarotti, Giorgio Bàrberi, ‘Gli incontri con le ombre’, in La poesia di Vittorio Sereni: atti del convegno, ed. by Stefano Agosti et al. (Milan: Librex, 1985), pp. 68–90
  • Squarotti, Giorgio Bàrberi, ‘L’ultimo trentennio’, in Dante nella letteratura italiana del Novecento, ed. by Silvio Zennaro (Rome: Bonacci, 1979), pp. 245–77
  • Staël, Germaine de, De la littérature considérée dans ses rapports avec les institutions sociales, ed. by Paul Van Tieghem, 2 vols (Geneva: Droz, 1959)
  • Steinberg, Leo, Other Criteria: Confrontations with Twentieth-Century Art (Oxford: Oxford University Press, 1972)
  • Steiner, George, Grammars of Creation (New Haven: Yale University Press, 2001)
  • Stierle, Karlheinz, Zeit und Werk: Prousts ‛A la recherche du temps perdu’ und Dantes ‛Commedia’ (Munich: Hanser, 2008)
  • Stockton, Kathryn Bond, ‘Growing Sideways, or Versions of the Queer Child: The Ghost, the Homosexual, the Freudian, the Innocent, and the Interval of Animal’, in Curiouser: On the Queerness of Children, ed. by Steven Bruhm and Natasha Hurley (Minneapolis: University of Minnesota Press, 2004), pp. 272–315
  • Straub, Julia, A Victorian Muse: The Afterlife of Dante’s Beatrice in Nineteenth-Century Literature (London: Continuum, 2009)
  • Taylor, Andrew, ‘Television, Translation, and Vulgarization: Reflections on Phillips’ and Greenaway’s A TV Dante’, in Dante, Cinema and Television, ed. by Amilcare Iannucci (Toronto: Toronto University Press, 2004), pp. 145–52 <https://doi.org/10.3138/9781442673700-010>
  • Taylor, Paul, ‘Robert Rauschenberg’, Interview (New York) 20.12 (December 1990), p. 147
  • Terza, Dante Della, Da Vienna a Baltimora: La diaspora degli intellettuali europei negli Stati Uniti d’America (Rome: Editori Riuniti, 1987)
  • Testori, Giovanni, ‘Un uomo in una donna, anzi uno dio’, in Michelangelo, Rime, ed. by Ettore Barelli (Milan: Rizzoli, 1975), pp. 5–12
  • Thompson, Andrew, ‘George Eliot, Dante and Moral Choice in Felix Holt, the Radical’, Modern Language Review, 86 (1991), pp. 553–66
  • Thompson, Andrew, ‘George Eliot, Dante and Moral Choice in Felix Holt, the Radical’, Modern Language Review, 86 (1991), pp. 553–66 <https://doi.org/10.2307/3731003>
  • Thompson, Doug, Cesare Pavese (Cambridge: Cambridge University Press, 1982)
  • Todorov, Tzvetan, Critique de la critique (Paris: Seuil, 1984)
  • Todorov, Tzvetan, Nous et les autres (Paris: Seuil, 1989)
  • Todorov, Tzvetan, La vie commune: essai d’anthropologie générale (Paris: Seuil, 1995)
  • Todorov, Tzvetan, ‘What is Literature For?’, New Literary History, 38 (2007), pp. 13–32 <https://doi.org/10.1353/nlh.2007.0024>
  • Tomkins, Calvin, The Bride and the Bachelor (New York: Penguin, 1962)
  • Tomkins, Calvin, Off the Wall (New York: Penguin, 1980)
  • Toynbee, Paget, Dante in English Literature, from Chaucer to Cary (c. 1380–1844), 2 vols (London: Methuen, 1909)
  • Treichel, Hans-Ulrich, Fragment ohne Ende: Eine Studie über Wolfgang Koeppen (Heidelberg: Winter, 1984)
  • Tricomi, Antonio, Pasolini: gesto e maniera (Soveria Mannelli: Rubbettino, 2005)
  • Turner, James, The Liberal Education of Charles Eliot Norton (Baltimore: Johns Hopkins University Press, 1999)
  • Turner, Victor, From Ritual to Theatre: The Human Seriousness of Play (New York: Performing Arts Journal Publications, 1982)
  • Turner, Victor, The Ritual Process: Structure and Anti-Structure (New York: Aldine Publishing Company, 1969)
  • Vaget, Hans Rudolf, Seelenzauber. Thomas Mann und die Musik (Frankfurt a.M.: Fischer, 2006)
  • Van der Bossche, Bert, ‘Nulla è veramente accaduto’: Strategie discorsive del mito nell’opera di Cesare Pavese (Florence: Cesati, 2001)
  • Viazzi, Glauco, ed., Dal Simbolismo al Déco, 2 vols (Turin: Einaudi, 1981)
  • Vickers, Nancy J., ‘Dante in the Video Decade’, in Dante Now: Current Trends in Dante Studies, ed. by J. Cachey Theodore (Notre Dame: University of Notre Dame Press, 1995), pp. 263–76 <https://doi.org/10.2307/j.ctvpg86p3.14>
  • Villon, François, Oeuvres, ed. by Auguste Longnon and Lucien Foulet (Paris: H. Champion, 1932)
  • Vincklers, Bitite, ‘Why Not Dante? A Study of Rauschenberg’s Drawings for the Inferno’, Art International, 12.6 (Summer 1968), pp. 99–106
  • Walker, John, Halliwell’s Film and Video Guide 2002 (London: HarperCollins, 2001)
  • Wallace, David, ‘Dante in English’, in The Cambridge Companion to Dante, ed. by Rachel Jacoff, 2nd edn (Cambridge: Cambridge University Press, 2007), pp. 281–304 <https://doi.org/10.1017/CCOL0521844304.017>
  • Watts, Jerry Gafio, Amiri Baraka: The Politics and Art of a Black Intellectual (New York: New York University Press, 2001)
  • Weiermair, Peter, The Hidden Image: Photographs of the Male Nude in the Nineteenth and Twentieth Centuries, trans. by Claus Nielander (Cambridge, MA: MIT Press, 1988),
  • Weigel, Sigrid, Walter Benjamin: Die Kreatur, das Heilige, die Bilder (Frankfurt a.M.: Fischer, 2008)
  • Welle, John P., ‘Early Cinema, Dante’s Inferno of 1911, and the Origins of Italian Film Culture’, in Dante, Cinema and Television, ed. by Amilcare Iannucci (Toronto: Toronto University Press, 2004), pp. 21–50 <https://doi.org/10.3138/9781442673700-004>
  • Widding, Bernd, ‘Melancholie und Moderne: Wolfgang Koeppens Der Tod in Rom’, The Germanic Review, 66 (1991), pp. 161–68 <https://doi.org/10.1080/00168890.1991.9938058>
  • Wilson, Robert, Prophecies and Propecy in Dante’s ‘Commedia’ (Florence: Olschki, 2008)
  • Witte, Bernd, ed., Topographien der Erinnerung: Zu Walter Benjamins Passagen (Würzburg: Könighausen and Neumann, 2008)
  • Wlassics, Tibor, Pavese falso e vero: Vita, poetica, narrativa (Turin: Centro Studi Piemontesi, 1987)
  • Woolf, Virginia, Collected Essays, 2 vols (London: Hogarth Press, 1966)
  • Woolf, Virginia, The Common Reader, First Series (London: Hogarth Press, 1925)
  • Woolf, Virginia, The Common Reader, Second Series (London: Hogarth Press, 1932)
  • Woolf, Virginia, The Crowded Dance of Modern Life, 2 vols (London: Penguin, 1993)
  • Woolf, Virginia, The Diary, ed. by Anne Olivier Bell and Andrew McNeillie, 5 vols (London: Hogarth Press, 1980)
  • Woolf, Virginia, Granite and Rainbow (London: Hogarth Press, 1960)
  • Woolf, Virginia, Moments of Being: Unpublished Autobiographical Writings, ed. by Jeanne Schulkind (New York: Harcourt, 1985)
  • Woolf, Virginia, Mrs. Dalloway (London: Penguin, 1996)
  • Woolf, Virginia, To the Lighthouse (London: Penguin, 1993) <https://doi.org/10.1007/978-1-349-22364-0_3>
  • Woolf, Virginia, The Waves (London: Penguin, 1992) <https://doi.org/10.1007/978-1-349-22364-0_4>
  • Wright, Charles, Buffalo Yoga (New York: Farrar, Straus and Giroux, 2004)
  • Wright, Charles, ‘Dantino Mio’, in The Poets’ Dante, ed. by Peter S. Hawkins and Rachel Jacoff (New York: Farrar, Straus and Giroux, 2001), pp. 259–64
  • Wright, Charles, Halflife: Improvisations and Interviews, 1977–87 (Ann Arbor: University of Michigan Press, 1988) <https://doi.org/10.3998/mpub.9524>
  • Wright, Charles, Littlefoot. A Poem (New York: Farrar, Straus and Giroux, 2007)
  • Wright, Charles, Negative Blue: Selected Later Poems (New York: Farrar, Straus and Giroux, 2000)
  • Wright, Charles, Quarter Notes: Improvisations and Interviews (Ann Arbor: University of Michigan Press, 1995) <https://doi.org/10.3998/mpub.10411>
  • Wright, Charles, Sestets (New York: Farrar, Straus and Giroux, 2009)
  • Wright, Charles, The World of the Ten Thousand Things (New York: Farrar, Straus and Giroux, 1990)
  • Wurtzel Semenov, Lilian, and Carla Winter, William Fox, Sol M. Wurtzel and the Early Fox Film Corporation: Letters, 1917–23 (Jefferson, NC: McFarland, 2001)
  • Wyatt, Jean M., ‘Mrs. Dalloway: Literary Allusion as Structural Metaphor’, PMLA, 88 (1973), pp. 440–45 <https://doi.org/10.2307/461524>
  • Yates, Frances, ‘Transformations of Dante’s Ugolino’, Journal of the Warburg and Courtauld Institutes, 14 (1951), pp. 92–117 <https://doi.org/10.2307/750354>
  • Yeats, William Butler, Autobiographies (London: Macmillan, 1955)
  • Yeats, William Butler, The Collected Poems (London: Macmillan, 1965)
  • Yeats, William Butler, L’opera poetica, ed. by Anthony L. Johnson, trans. by Ariodante Marianni, introduction and life by Piero Boitani (Milan: Mondadori, 2005)
  • Yehoshua, Abraham B., The Terrible Power of a Minor Guilt: Literary Essays, trans. by Ora Cummings (Syracuse, NY: Syracuse University Press, 2000)
  • Yenser, Stephen, The Consuming Myth: The Work of James Merrill (Cambridge, MA: Harvard University Press, 1987)
  • Young, Joan, ‘Chronology’ in Robert Rauschenberg: A Restrospective, ed. by Walter Hopps and Susan Davidson (New York: Solomon R. Guggenheim Foundation, 1997), pp. 550–87
  • Zanzotto, Andrea, Le poesie e prose scelte, ed. by Stefano Dal Bianco and Gian Mario Villalta (Milan: Mondadori, 1999)
  •  
     
Cite as: Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, ed. by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, Cultural Inquiry, 2 (Vienna: Turia + Kant, 2011) <https://doi.org/10.25620/ci-02>