Book Sectionhttps://doi.org/10.25620/ci-02_00
Title Pages / Description of the Series Cultural Inquiry / Imprint / Table of Contents
Keywords: Alighieri, Dante – Divina Commedia; Alighieri, Dante – Vita nuova; productive reception; influence
Rights: © by the author(s). This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Part of Metamorphosing Dante Containing:
Frontmatter / Manuele Gragnolati, Fabio Camilletti, Fabian Lampart
Metamorphosing Dante / Fabio Camilletti, Manuele Gragnolati, Fabian Lampart
Dante’s ‘Strangeness’: The Commedia and the late Twentieth-Century Debate on the Literary Canon / Federica Pich
Irish Dante: Yeats, Joyce, Beckett / Piero Boitani
Dante as a Gay Poet / Nicola Gardini
Dante’s Inferno and Walter Benjamin’s Cities: Considerations of Place, Experience, and Media / Angela Merte-Rankin
‘Il mal seme d’Adamo’: Dante’s Inferno and the Problem of the Literary Representation of Evil in Thomas Mann’s Doktor Faustus and Wolfgang Koeppen’s Der Tod in Rom / Florian Trabert
‘Una modesta Divina Commedià’: Dante as Anti-Model in Cesare Pavese’s La luna e i falò / Tristan Kay
Reclaiming Paradiso: Dante in the Poetry of James Merrill and Charles Wright / Rachel Jacoff
‘Perché mi vinse il lume d’esta stella’: Giovanni Giudici’s Rewriting of Dante’s Paradiso for the Theatre / Erminia Ardissino
‘Per-tras-versioni’ dantesche: Post-Paradisiacal Constellations in the Poetry of Vittorio Sereni and Andrea Zanzotto / Francesca Southerden
Human Desire, Deadly Love: The Vita Nova in Gide, Delay, Lacan / Fabio Camilletti
Wives and Lovers in Dante and Eugenio Montale / Rebecca West
Man with Snake: Dante in Derek Jarman’s Edward II / James Miller
Rewriting Dante after Freud and the Shoah: Giorgio Pressburger’s Nel regno oscuro / Manuele Gragnolati
‘Misi me per l’alto mare aperto’: Personality and Impersonality in Virginia Woolf’s Reading of Dante’s Allegorical Language / Teresa Prudente
‘Hell on a Paying Basis’: Morality, the Market, and the Movies in Harry Lachman’s Dante’s Inferno (1935) / Nick Havely
From Giorgio Agamben’s Italian Category of ‘Comedy’ to ‘Profanation’ as the Political Task of Modernity: Ingravallo’s Soaring Descent, or Dante according to Carlo Emilio Gadda / Manuela Marchesini
Literary Heresy: The Dantesque Metamorphosis of LeRoi Jones into Amiri Baraka / Dennis Looney
Transferring Dante: Robert Rauschenberg’s Thirty-Four Illustrations for the Inferno / Antonella Francini
‘Anzichè allargare, dilaterai!’: Allegory and Mimesis from Dante’s Comedy to Pier Paolo Pasolini’s La Divina Mimesis / Davide Luglio
A Cardboard Dante: Hell’s Metropolis Revisited / Ronald de Rooy
Backmatter / Manuele Gragnolati, Fabio Camilletti, Fabian Lampart
Title
Frontmatter
Author(s)
Manuele Gragnolati
Fabio Camilletti
Fabian Lampart
Identifier
https://doi.org/10.25620/ci-02_00
Description
Title Pages / Description of the Series Cultural Inquiry / Imprint / Table of Contents
Is Part Of
Metamorphosing Dante
Place
Vienna
Publisher
Turia + Kant
Date
2011
Subject
Alighieri, Dante – Divina Commedia
Alighieri, Dante – Vita nuova
productive reception
influence
Rights
© by the author(s)
This version is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
http://creativecommons.org/licenses/by-sa/4.0/
Bibliographic Citation
Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, ‘Frontmatter’, in Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, ed. by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, Cultural Inquiry, 2 (Vienna: Turia + Kant, 2011), pp. 1–7 <https://doi.org/10.25620/ci-02_00>
Language
en-GB
page start
1
page end
7
Source
Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, ed. by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, Cultural Inquiry, 2 (Vienna: Turia + Kant, 2011), pp. 1–7
Format
application/pdf
Cite as: Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, ‘Frontmatter’, in Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, ed. by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, Cultural Inquiry, 2 (Vienna: Turia + Kant, 2011), pp. 1–7 <https://doi.org/10.25620/ci-02_00>